The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 359
Château Noir
1900–04
Alternate title: Le Château Noir
Rewald (937): 1900–04; Venturi revised: c.1904; Venturi (796): c.1904; Rivière: 1904; Vollard: 1904
Oil on canvas with added strips of canvas at the left and right edges
29 1/8 x 38 in. (74 x 96.5 cm)
Vollard B stockbook: no. 4462, Château noir, paysage, 74 x 97 cm (8000/15000 frs)
Provenance
Exhibition History
Salon d'Automne, Grand Palais, Paris, Rétrospective d'oeuvres de Cézanne, October 1–22, 1907, no. 49 (?), as Le Château Noir, lent Bernheim-Jeune and Vollard (jointly owned).
Grafton Galleries, London, Second Post-Impressionist Exhibition, October 5–December 31, 1912, no. 2, as Le Château Noir, lent by Vollard.
Modern Gallery [de Zayas], New York, Paintings by Cézanne, January 25, 1916.
The Metropolitan Museum of Art, New York, Impressionist and Post-Impressionist Paintings, May 3–September 15, 1921, no. 23, as Le Château Noir, lent by Meyer.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 34, pl. 57. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 51, ill.
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 189, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Musée d'Orsay, Paris, New-York et l'art moderne. Alfred Stieglitz et son cercle (1905–1930), October 18, 2004–January 16, 2005, no. 42, p. 322, ill. in color p. 91, as Château Noir, 1900-1904, lent by National Gallery of Art, Washington; shown in Paris only. Traveled to: Museo nacional Reina Sofia, Madrid, February 10–May 16, 2005.
Musée des Beaux-Arts, Marseille, France, Right Under the Sun, Landscape in Provence: From Classicism to Modernism (1750–1920), May 18–August 21, 2005, no. 38, ill., p. 180, as Château Noir. Traveled to: Museum of Fine Arts, Montreal, September 22, 2005–January 8, 2006.
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 98, ill. shown in Washington only. Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, pl. 54, p. 93, as Château Noir.
Szépmüvészeti Múzeum, Budapest, Hungary, Cezanne to Malevich, Arcadia to Abstraction, October 28, 2021–February 13, 2022, no. 18, ill.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 131, ill. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Carroll, Raymond. "Art Atrocities Puzzles Critics." Evening Public Ledger (Philadelphia), September 7, 1921, p. 5, as Le Château Noir.
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 224, listed.
"List of Accessions and Loans, October 1923." The Metropolitan Museum of Art Bulletin 18, no. 11 (November 1923), p. 263, listed.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 796, ill. vol. II, as Le Château Noir.
Novotny, Fritz. Cézanne und das Ende der wissenschaftlichen Perspektive. Vienna: Anton Schroll, 1938, list of motifs: no. 12.
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 88, as Le Château Noir, 1904-06.
Murphy, Richard W. The World of Cézanne, 1839–1906. New York: Time-Life Books, 1968, p. 151.
European Paintings: An Illustrated Summary Catalogue. Washington, D.C.: National Gallery of Art, 1975, no. 1508, p. 59, ill., as Le Château Noir.
Gordon, Donald E. "The Expressionist Cézanne." Artforum 16, no. 7 (March 1978), p. 39, ill.
Kelder, Diane. The Great Book of French Impressionism. New York: Abbeville Press, 1980, p. 417, ill.
House, John. Impressionist Masterpieces: National Gallery of Art, Washington. New York: Hugh Lauther Levin, 1985, p. 58, pl. 18.
Bessonova, Marina, and William Williams. Impressionism and Post-Impressionism: The Hermitage, Leningrad, The Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. New York: Park Lane, 1986, p. 170, ill.
Düchting, Hajo. Paul Cézanne: Natur wird Kunst. Cologne: Benedict Taschen Verlag, 1989, p. 206, ill.
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, pp. 302, 305, 306, 319, 330, pl. XV.
Lartigue, Charles de. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, pp. 140-41, ill.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 937, ill. vol. 2 and p. 21, ill. col. vol. 1, as Château Noir .
Coutagne, Denis. "The Major Works in the Lauves Studio." In Atelier Cézanne, 1902–2002: Le centenaire. Aix-en-Provence: Société Paul Cézanne, 2002, fig. 33, ill. in color.
Feilchenfeldt, Walter. "Cézannes Gemälde: Formate und Themen, Echtheitsfragen." In "By Appointment Only": Schriften zu Kunst und Kunsthandel, Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 237, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 326; vol. 2, p. 219, as Château Noir .
Rishel, Joseph J. "Cézanne and Hartley: On Sacred Ground." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009. Exhibition catalogue, p. 174, ill., p. 93, pl. 5, as Château Noir (shown with Hartley view of Château Noir (1925).
The Metropolitan Museum of Art. Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection - New Edition. Stein, Susan Alyson and Asher Ethan Miller. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2009, fig. 113, ill. p. 155.
Shiff, Richard. "Lucky Cézanne (Cézanne Tychique)." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: Yale University Press, 2009. Exhibition catalogue, p. 93, pl. 5, as Château Noir .
Chiappini, Rudy. "Quel silenzio, in attesa del tempo della rivelazione." In Cézanne: Les ateliers du midi. Milan: Skira, 2011. Exhibition catalogue, p. 38, fig. 21.
Chiappini, Rudy. "I temi prediletti del padre della modernità." In Cézanne e gli artisti italiani del '900. Milan: Skira, 2013. Exhibition catalogue, p. 101, fig. 9.
Elderfield, John, Mary Morton, Xavier Rey. Cézanne Portraits. London and Princeton, N,J.: National Portrait Gallery Publications and Princeton University Press, 2017. Exhibition catalogue, fig. 78.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 63, ill.
Sidlina, Natalia. "Cezanne's Slow Homecoming." In Cezanne. Chicago: Art Institute of Chicago, 2022, p. 64, fig. 5 (X-radiograph image indicating added strips of canvas to the left and right edges).
Record last updated January 19, 2024. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Château Noir, 1900–04 (FWN 359), with added strips of canvas at the left and right edges." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=910 (accessed on December 8, 2024).
