The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
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Bruce M. White
FWN 355
La Montagne Sainte-Victoire vue des Lauves
1904–06
Alternate titles: La Montagne Sainte-Victoire; Le Mont Sainte-Victoire vu des Lauves; Mont Sainte-Victoire (La Montagne Sainte-Victoire); Sainte-Victoire
Rewald (910): 1904–06; Venturi revised: 1902–06
Oil on canvas
33 x 25 5/8 in. (83.8 x 65 cm)
Vollard B stockbook: no. 4473, paysage. Ste. Victoire hauteur, 81 x 65 cm (5000/9000 frs)
Provenance
Exhibition History
Wildenstein Galleries, London, Homage to Paul Cézanne, July 1939, no. 44, ill. lent by Private collection.
Dalzell Hatfield Gallery, Los Angeles, A Superb Exhibition: Cézanne, Van Gogh, Renoir, Bonnard, Vuillard, Matisse, Rouault, Sisley, Dufy, Utrillo, May 1–30, 1949.
Fine Arts Associates [Otto Gerson], New York, Cézanne: Rarely Shown Works, November 10–29, 1952, no. 12, as La Montagne Sainte-Victoire, lent by Pearlman.
Dalzell Hatfield Gallery, Los Angeles, Artorama, 1957.
The Baltimore Museum, Baltimore, Anonymous Collection [Pearlman Collection], July–September 1958, no. 5.
Fogg Art Museum, Cambridge, Massachusetts, Drawings, Watercolors and Oils by Paul Cézanne, Lent by an Anonymous Collector, July 1–September 1, 1959, no. 4.
Knoedler Galleries, New York, A loan exhibition of Paintings, Watercolors and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman for the benefit of Greenwich House, January 27–February 21, 1959, no. 4, ill. in b/w, as La Montagne Sainte-Victoire, 1903-04.
The Metropolitan Museum of Art, New York, Paintings from Private Collections: Summer Loan Exhibition, 1961, no. 18, lent by Mr. and Mrs. Henry Pearlman.
Solomon R. Guggenheim Museum, New York, Cézanne and Structure in Modern Painting, June–August 1963.
Brooklyn Museum, Brooklyn, New York, The Pearlman Collection, May 22–October 15, 1964, no. 17.
The Metropolitan Museum of Art, New York, Summer Loan Exhibition, July–September 1966, no. 28, lent by Mr. and Mrs. Henry Pearlman.
Detroit Institute of Arts, Detroit, Cézanne and His Contemporaries: The Mr. and Mrs. Henry Pearlman Collection, June 14–October 1, 1967, no. 4.
The Metropolitan Museum of Art, New York, New York Collects, July 3–September 2, 1968, no. 35.
The Metropolitan Museum of Art, New York, New York Collects: Paintings, Watercolors and Sculpture from Private Collections, July 3–September 2, 1968, no. 35, Mont Sainte-Victoire, lent by Mr. and Mrs. Henry Pearlman.
Wadsworth Atheneum, Hartford, Connecticut, Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works, June 10–October 4, 1970, no. 4.
The Metropolitan Museum of Art, New York, Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation, July 13–September 7, 1971, no. 4.
Brooklyn Museum, Brooklyn, New York, Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, May 22–September 29, 1974, no. 5, as Sainte-Victoire, dated 1902. Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 57, pl. 117. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 200. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
National Gallery of Art, Washington, D.C., Cézanne in Provence, January 29–May 7, 2006, no. 158, ill., (dated 1902–06). Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Louisiana Museum of Art, Humlebæk, Denmark, Cézanne & Giacometti: Paths of Doubt, February 20–June 29, 2008, no. 58, ill. p. 72, as Mont Sainte-Victoire (La Montagne Sainte-Victoire), c. 1902, lent by Pearlman Foundation.
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, ill., p. ii (dated c. 1902), as Le Mont Sainte-Victoire vu des Lauves.
National Art Center, Tokyo, Cézanne: Paris-Provence, March 28–May 11, 2012, no. 87, ill.
Ashmolean Museum, University of Oxford, Oxford, United Kingdom, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, March 13–June 22, 2014, no. 23, ill. c. 1904-06. Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 122, ill. shown in Chicago only. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Chanin, A.L. "The Henry Pearlman Collection." Connoisseur 145, no. 586 (June 1960), p. 233, ill. p. 232.
Coutagne, Denis, et al. Sainte-Victoire Cézanne. Aix-en-Provence: Musée Granet, 1990. Exhibition catalogue, p. 16, fig. 1, as La Montagne Sainte-Victoire.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 910, ill. vol. 2, as La Montagne Sainte-Victoire vue des Lauves.
Giles, Laura, and Carol Armstrong, eds. Cézanne in Focus, Watercolors from The Henry and Rose Pearlman Collection. Princeton, N.J.: Princeton University Art Museum, 2002. Exhibition catalogue, p. 100, fig. 2.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 151, fig. 4.2, as Le Mont Sainte-Victoire vu des Lauves .
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 336; vol. 2, p. 222, as Le Mont Sainte-Victoire vu des Lauves .
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 164, fig. 117.
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 145, fig. 93 (cat. 23).
Brodkin, T. The Arts: Painting, the Graphic Arts, Sculpture and Architecture. London, n.d, p. 129, ill.
Related
Record last updated October 25, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Montagne Sainte-Victoire vue des Lauves, 1904–06 (FWN 355)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=884 (accessed on December 10, 2024).
