The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
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Peter Schibli, Basel
FWN 339
Sous-bois
1900–02
Alternate titles: Camino desde Mas Jolie al Château Noir; Sous-bois (Chemin du Mas Jolie au Château Noir); Sous-bois provençal
Rewald (884): 1900–02; Venturi revised: 1895–1900; Venturi (1527): 1895–1900
Oil on canvas
31 7/8 x 25 3/8 in. (81 x 64.5 cm)
Vollard A stockbook: no. 3837, huile; arbres entrecroises formant une sorte de berceau, 81 x 65 cm (100 frs)
Provenance
Exhibition History
Matthiesen Gallery, London, French Paintings of the XIXth and XXth Centuries, June 19–July 25, 1952, no. 4, ill.
Knoedler Galleries, Paris, Les Soirées de Paris, May 16–June 30, 1958, no. 5, ill.
Galerie Beyeler, Basel, Switzerland, Selection, 1959, no. 2, ill.
Kunsthaus, Zurich, The G. David Thompson Collection, October 15–November 27, 1960, no. 19, shown Zürich only. Traveled to: Kunstmuseum, Düsselfdorf, December 14, 1960–January 29, 1961; Haags Gemeentemuseum, Den Haag, February 17–April 9, 1961; Galleria Civica d'Arte Moderna, Turin, October–November 1961.
Solomon R. Guggenheim Museum, New York, One Hundred Paintings from the G. David Thompson Collection, May–August 1961.
Galerie Beyeler, Basel, Switzerland, Présence des Maîtres, June–September 1967, no. 6, ill.
Galerie Beyeler, Basel, Switzerland, Manet, Degas, Monet, Cézanne, Bonnard: Oeuvres tardives, June–September 1977, no. 11, ill., as Sous-bois.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 9, pl. 72. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 60, ill.
Galerie Beyeler, Basel, Switzerland, Paul Cézanne: Peintures, Aquarelles, Dessins, June–September 1983, no. 23, ill., (dated 1895–1900), as Sous-bois, lent by Private collection.
Centro de Arte Reina Sofia, Madrid, Collección Beyeler, May 24–June 24, 1989, no no., pp. 35–37, ill., as Camino desde Mas Jolie al Château Noir.
Musée Granet, Aix-en-Provence, France, Sainte-Victoire: Cézanne, June 16–September 2, 1990, no. 35, fig. 246.
Kunsthalle, Tübingen, Germany, Cézanne Gemälde, January 16–May 2, 1993, no. 74, ill.
Nationalgalerie - Staatliche Museen zu Berlin, Berlin, Wege der Moderne: die Sammlung Beyeler, April 30–August 1, 1993, no. 9, ill.
Royal Academy of Arts, London, From Manet to Gauguin: Masterpieces from Swiss Private Collections, June 30–October 8, 1995, no. 9, ill.
Art Gallery of New South Wales, Sydney, Masterpieces of the Twentieth Century: The Beyeler Collection, December 7, 1996–March 2, 1997, no. 3, ill.
Fondation Beyeler, Riehen/Basel, Switzerland, Magie der Bäume, November 21, 1998–April 5, 1999, no. 20, ill., as Sous-bois (Chemin du Mas Jolie au Château Noir).
Fondation Beyeler, Riehen/Basel, Switzerland, Cézanne und die Moderne, October 10, 1999–January 9, 2000, no. 33, ill., p. 78, as Sous-bois.
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 117, ill., as Sous-bois. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Fondation Beyeler, Riehen/Basel, Switzerland, Hommage à Paul Cézanne, October 21, 2006–January 7, 2007.
Kunstmuseum Basel, Basel, Switzerland, The Hidden Cézanne: From Sketchbook to Canvas, June 10–September 24, 2017, no. 173, ill.
Szépmüvészeti Múzeum, Budapest, Hungary, Cezanne to Malevich, Arcadia to Abstraction, October 28, 2021–February 13, 2022, no. 48, ill.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 130, ill. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1527, ill. vol. II, as Sous-bois.
Berger, René. Découverte de la peinture. Lausanne: La Guilde du Livre, 1958, fig. 34, p. 37, as Sous-bois.
"Das Tor zur Moderne. Paul Cézanne in Schweizer Sammlungen." Du 49, no. 9 (September 1989), p. 73, ill.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 884, ill. vol. 2, as Sous-bois.
Dittmann, Lorenz. Die Kunst Cézannes: Farbe, Rythmus, Symbolik. Cologne: Böhlau, 2005, pl. 6.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 324; vol. 2, p. 218, as Sous-bois.
"Paul Cézanne in der Sammlung Beyeler." In Cézanne – Picasso – Giacometti: Meisterwerke der Fondation Beyeler, Leopold Musuem (editor). Vienna: Leopold Musuem-Privatstiftung, 2010. Exhibition catalogue, p. 96, ill., as Sous-bois.
Nagaï, Takanori. "How Paul Cézanne Rejected the Fini Concept." Kyoto Studies in Art History vol. 2 (2017), p. 145, fig. 12.
Record last updated April 20, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Sous-bois, 1900–02 (FWN 339)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=858 (accessed on October 6, 2024).
