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Catalogue entry

© The Barnes Foundation, Merion, Pennsylvania, USA/ The Bridgeman Art Library
FWN 843
Nature morte
1892–94
Alternate title: Still Life
Rewald (844): 1892–94; Venturi revised: 1900–1905; Venturi (745): 1895–1900; Reff: 1897–98
Oil on canvas
25 5/8 x 32 in. (65.1 x 81.3 cm)

Keywords

Provenance
Ambroise Vollard, Paris
Cornelis Hoogendijk, Amsterdam
Paul Rosenberg, Paris (1920)
[Galerie Durand-Ruel, Paris]
Dr. Albert C. Barnes, Merion (July 1920);
Barnes Foundation, Merion and Philadelphia
Exhibition History
1911 Amsterdam
Moderne Kunstkring, Stedelijk Museum, Amsterdam, Internationale tentoonstelling van moderne kunst, October 6–November 5, 1911, no number, Hoogendijk collection.
Published References
Van Doren 1920
Van Doren, Harold L. "Some Little Known Cézannes." Touchstone 8 (December 1920), p. 183, ill.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 745, ill. vol. II, as Nature morte.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 173, p. 279, ill.
Rubin 1977a
Rubin, William, ed. Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, pl. 142.
Reff 1977c
Reff, Theodore. "Painting and Theory in the Final Decade." In Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, p. 37, ill.
Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 144.
Rewald 1989
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 271, fig. 133.
Henkels 1993
Henkels, Herbert. "Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: De collectie van Cornelis Hoogendijk (1866–1911)." Bulletin van het Rijksmuseum 41, nos. 3–4 (1993), fig. 44.
Wattenmaker et al 1993
Wattenmaker, Richard et al. Great French Paintings from The Barnes Foundation. New York: Alfred A. Knopf, 1993. Exhibition catalogue, p. 134, fig. 1.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 844, ill. vol. 2, as Nature morte.
Boehm 2000a
Boehm, Gottfried. "Cézanne and the Unfinished." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 39, fig. 15, as Still Life.
Janssen 2009
Janssen, Hans. "'Wanneer men het inner lijke beeldt…!' Mondriaan en de invloed van Picasso en Cézanne op zijn werk." In Cézanne, Picasso, Mondriaan: in nieuw perspectief. Zwolle: Waanders, 2009. Exhibition catalogue, fig. 27, as Nature morte.
Dolkart and Lucy 2012
Dolkart, Judith, Martha Lucy. The Barnes Foundation: Masterworks. New York: Skira Rizzoli, 2012, p. 255, ill. p. 251, comments by Martha Lucy.
Société Paul Cezanne 2019
Cezanne, Jas de Bouffan: art et histoire. Under the scientific direction of Denis Coutagne and François Chédeville. Lyon; Aix-en-Provence: Fage édition; Société Paul Cezanne, 2019, fig. 182 p. 189.
Dombrowski, Ireson and Patry 2021
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, no. 41, pp. 205–12, as Still Life (catalogue notes by C. Armstrong).
Record last updated February 10, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Nature morte, 1892–94 (FWN 843)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=819 (accessed on April 20, 2024).