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Catalogue entry

FWN 854
Rideau, cruchon et compotier
1893–94
Alternate titles: Curtain, Jug and Compotier; Curtain, Jug and Dish of Fruit; Curtain, Pitcher, and Compotier (Rideau, cruchon et compotier); Nature morte - Pêches dans un plat; Vruchtenstilleven
Rewald (739): 1893–94; Venturi revised: 1893–95; Venturi (601): 1890–94; Cooper: probably after 1893
Oil on canvas
23 3/16 x 28 1/5 in. (59 x 72.4 cm)
Private collection, Chicago

Keywords

Provenance
Ambroise Vollard, Paris
Cornelis Hoogendijk, Amsterdam
Paul Rosenberg, Paris (1920)
[Galerie Durand-Ruel, Paris]
Dr. Albert C. Barnes, Merion (July 1920);
Barnes Foundation, Merion
Knoedler Galleries, New York (Mar. 1950)
Carroll Carstairs Gallery, New York (Apr. 1950)
Mr. and Mrs. John Hay Whitney, New York (Apr. 1950);
Sotheby's, New York, May 10, 1999, no. 23, ill. [sale cancelled]
Steven Wynn, Las Vegas
Private collection, Chicago
Exhibition History
1951b New York
The Museum of Modern Art, New York, Selections from 5 New York Private Collections, June 26–September 9, 1951.
1952 Chicago and traveling
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 82, ill. lent by Whitney. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
1956 Aix-en-Provence
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956, no. 50, ill. lent by Whitney.
1956 Munich
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 53, ill. lent by Whitney.
1960–61 London
Tate Gallery, London, The John Hay Whitney Collection, December 16, 1960–January 27, 1961, no. 9, ill.
1969 Minneapolis
Minneapolis Institute of Arts, Minneapolis, The Past Rediscovered: French Painting 1800–1900, July 3–September 7, 1969, no. 13, ill., as Rideau, cruchon et compotier, lent by Mr. and Mrs. John Hay Whitney, New York.
1983 Washington, D.C.
National Gallery of Art, Washington, D.C., The John Hay Whitney Collection, May 29–September 5, 1983, no. 21, ill.
1995–96 Paris and traveling
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 159, ill. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
2006–07 New York and traveling
The Metropolitan Museum of Art, New York, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, September 14, 2006–January 7, 2007, no. 45, fig. 38, pp. 36, 343, as Rideau, cruchon et compotier, shown in New York and Chicago only. Traveled to: The Art Institute of Chicago, Chicago, February 17–May 13, 2007; Musée d'Orsay, Paris, June 19–September 16, 2007.
2009 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne and Beyond, February 26–May 17, 2009, pl. 90, p. 276, as Rideau, cruchon et compotier.
2022–23 Chicago and traveling
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 60, ill. Private collection. Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Published References
Guillaume 1923
Guillaume, Paul. "Le docteur Barnes." Les Arts à Paris, no. 7 (Jan. 1923), ill. p. 9, as Nature morte - Pêches dans un plat.
Raynal 1923
Raynal, Maurice. "La Fondation Barnes." L'Esprit Nouveau, no. 18 (1923), ill.
Barnes 1925b
Barnes, Albert C. The Art in Painting. New York: Harcourt Brace, 1925, p. 484, ill. p. 81.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 601, ill. vol. II, as Rideau, cruchon et compotier.
Barnes and de Mazia 1939
Barnes, Albert C., and Violette de Mazia. The Art of Cézanne. New York: Harcourt Brace, 1939, no. 122, p. 274, ill.
Niehaus 1939
Niehaus, Kasper. "Paul Cézanne, redder der schilderkunst." De Telegraaf (Amsterdam), January 15, 1939, ill. p. 9, as Vruchtenstilleven.
Rewald 1956c
Rewald, John. "French Paintings in the Collection of Mr. and Mrs. John Hay Whitney." Connoisseur (American ed.) 137 (April 1956), pp. 136, 138, ill.
American Abroad 1958
American Abroad (Jan. 1958), ill. p. 28 and on cover.
Russell 1958
Russell, John. "La Collection Whitney." L'Oeil (May 1958), p. 37, ill.
Sweeney 1972
Sweeney, James Johnson. "The Albert C. Barnes Collection." The Barnes Foundation Journal of the Art Department 3, no. 2 (Autumn 1972), p. 35, pl. 12.
Schapiro 1973
Schapiro, Meyer. Paul Cézanne. Translated by Louis-Marie Ollivier. Paris: Nouvelles Editions Françaises, 1973, pl. 3.
Wadley 1975
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1975, pl. 43.
Rewald 1986b
Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 181, ill.
Thomas 1987
Thomas, Denis. The Age of the Impressionists. Middlesex, U.K.: Holiday House, 1987, p. 162, ill.
Rewald 1989
Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921. Princeton: Princeton University Press; London: Thames & Hudson, 1989, p. 271, pl. XIII.
Wadley 1989
Wadley, Nicholas. Cézanne and His Art. London: Hamlyn, 1989, p. 52, ill. in color.
Henkels 1993
Henkels, Herbert. "Cézanne en Van Gogh in het Rijksmuseum voor Moderne Kunst in Amsterdam: De collectie van Cornelis Hoogendijk (1866–1911)." Bulletin van het Rijksmuseum 41, nos. 3–4 (1993), fig. 45.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 739, ill. vol. 2, as Rideau, cruchon et compotier.
Athanassoglou-Kallmyer 2003
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence: The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 126, fig. 3.27, as Rideau, cruchon et compotier.
Schmidt 2004a
Schmidt, Bertram. Cézannes Lehre. Kiel: Ludwig, 2004, fig. 89.
Jensen 2006
Jensen, Robert. "Vollard and Cézanne: An Anatomy of a Relationship." In Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2006. Exhibition catalogue, p. 36, fig. 38, as Curtain, Jug and Dish of Fruit.
Golding 2009
Golding, John. "Cézanne, Braque and Pictorial Space." In Cézanne and Beyond. Philadelphia: Philadelphia Museum of Art; New Haven: In association with Yale University Press, 2009, p. 276, pl. 90, as Curtain, Jug and Compotier.
Warman 2010
Warman, Jayne. "Cézanne Crosses the Atlantic: Vollard and American Collections." In Cézanne and American Modernism, by Gail Stavitsky. Seattle: Marquand Books, 2010. Exhibition catalogue, p. 85, fig. 4.
Athanassoglou-Kallmyer 2014
Athanassoglou-Kallmyer, Nina M. "Cézanne in the Studio." In The World Is an Apple: The Still Lifes of Paul Cézanne. Hamilton, Ontario: Art Gallery of Hamilton, 2014. Exhibition catalogue, p. 220, fig. 15, as Curtain, Pitcher, and Compotier (Rideau, cruchon et compotier).
Kang 2021
Kang, Cindy. "'Intense, Passionate, Almost Cruel': Barnes Collects Cézanne." In Cézanne in the Barnes Foundation. New York: Rizzoli Electa, 2021, fig. 4, as Curtain, Jug and Dish of Fruit.
Clark 2022
Clark, T.J. If These Apples Should Fall, Cézanne and the Present. London and New York: Thames & Hudson, 2022, pl. 35.
Muir et al 2022
Muir, Kimberly, Kristi Dahm, Giovanni Verri, Maria Kokkori, and Clara Granzotto. "'A Harmony Parallel to Nature' – Color, Form, and Space in Cezanne's Watercolors and Oil Paintings." In Cezanne. Chicago: Art Institute of Chicago, 2022, pp. 52, 55, figs. 7 and 12 (details).
Smith 2023
Smith, Paul. "Looking slowly with Cezanne." The Burlington Magazine 165 (April 2023), fig. 10 with photo of the Betschdorf jug by the author, fig. 9.
Record last updated December 9, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Rideau, cruchon et compotier, 1893–94 (FWN 854)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=717 (accessed on April 26, 2024).