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Catalogue entry

David Harris; © The Israel Museum Jerusalem
FWN 189
L'Estaque le matin, vu à contre-jour
1882–83
Alternate titles: L'Estaque di mattina, in controluce; Landscape in Provence; Landschaft; Landschaft, Blick auf eine kleine Stadt; Paysage à l'Estaque; Paysage, vue sur une petite ville
Rewald (516): 1882–83; Venturi revised: 1883–85; Venturi (410): 1882–85; Gowing: 1885–86; Ratcliffe: probably November 1883 to February 1884
Oil on canvas
23 5/8 x 36 3/16 in. (60 x 92 cm)
Vollard A stockbook: no. 3561, huile; une quantité de maisons d'un rose pâle, dans un coin de tableau à droite un grand arbre, 60 x 92 cm (200 frs)
Vollard B stockbook: no. 3810, Maisons très clair, etagée[s], avec arbre[s], 60 x 92 cm (300 frs)
Vollard archives: photo no. 62
Israel Museum, Jerusalem (Gift of The Jerusalem Foundation from the Sam Spiegel Collection)

Keywords

Provenance
Ambroise Vollard, Paris
Paul Cassirer, Berlin (Nov. 5, 1913)
Oskar Schmitz, Dresden (on temporary deposit at the Kunsthalle Basel)
Wildenstein Galleries, Paris, London, and New York
Lord Victor Rothschild, Merton Hall, Cambridge
Marlborough Galleries, London
Sam Spiegel, New York;
Israel Museum, Jerusalem (1993)
Exhibition History
1931 Frankfurt am Main
Städelsches Kunstinstitut, Frankfurt am Main, Germany, Vom Abbild zum Sinnbild, June 3–July 3, 1931, no. 26 (?), as Landschaft, tentative identification, lent by Private collection.
1932a Zurich
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz: Französische Malerei des XIX. Jahrhunderts, January 14–February 14, 1932, no. 32, as Paysage, vue sur une petite ville.
1932b Zürich
Kunsthaus Zürich, Zurich, Sammlung Oscar Schmitz, Dresden-Zürich; Französische Impressionisten aus verschiedenem Besitz, January 14–February 14, 1932, no. 44, as Paysage, vue sur une petite ville.
1933 Zurich
Kunsthaus, Zurich, Französische Maler des XIX. Jahrhunderts, May 14–August 6, 1933, no. 88, as Landschaft, Blick auf eine kleine Stadt, c. 1890, [lent by Schmitz].
1936c New York
Wildenstein Galleries, New York, The Oscar Schmitz Collection, 1936, no. 11, ill.
1936a Paris
Wildenstein Galleries, Paris, La Collection Oskar Schmitz, 1936, no. 11, ill.
1949–50 London
Royal Academy of Arts, London, Landscape in French Art, 1550–1900, December 10, 1949–March 5, 1950, no. 314, ill. no. 56 in Book of Illustrations, as Landscape in Provence, 1882-5, lent by Lord Rothschild.
1956 Aix-en-Provence
Pavillon de Vendôme, Aix-en-Provence, France, Exposition pour commémorer le cinquantenaire de la mort de Cézanne, July 21–August 15, 1956, no. 27, ill. lent by Lord Rothschild.
1956 Munich
Haus der Kunst, Munich, Paul Cézanne, October 12–November 18, 1956, no. 36, ill. lent by Rothschild.
1993 Jerusalem
The Israel Museum, Jerusalem, The Sam Spiegel Collection, June 22–August 29, 1993, no. 9, ill.
2002 Rome
Complesso del Vittoriano, Rome, Cézanne: Il padre dei moderni, March 7–July 7, 2002, listed p. 140, ill., as L'Estaque di mattina, in controluce, lent by the Israel Museum.
Published References
Meier-Graefe 1918a
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 186.
Meier-Graefe 1922
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 227.
Meier-Graefe 1927a
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. LXXXVIII.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 410, ill. vol. II, as Paysage à l'Estaque.
Rewald 1937a
Rewald, John. "A propos du catalogue raisonné de l'œuvre de Paul Cézanne et de la chronologie de cette œuvre." La Renaissance (Paris), vol. 20, nos. 3-4 (March–April 1937), p. 56.
Cogniat 1939a
Cogniat, Raymond. Cézanne. Paris: Pierre Tisné, 1939, pl. 61.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 80, listed p. 157 (err.: for correct text see pl. 78).
Johnson 1963a
Johnson, Ellen. "Cézanne and a Pine Tree." Bulletin of the Allen Memorial Art Museum 21, no. 1 (Fall 1963), p. 13.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 516, ill. vol. 2, as L'Estaque le matin, vu à contre-jour.
Rachum 2005
Rachum, Stephanie. Impressionist and Post-Impressionist. Painting and Sculpture in the Israel Museum, Jerusalem. New York: Abrams, 2005, no. 52, ill. p. 136.
Blanc 2019
Blanc, Geneviève. L'Oeuvre de Cezanne à L'Estaque, Huiles – Aquarelles – Dessins, 1864–1885. Marseille: Éditions Gaussen, 2019, fig. 96 (discusson p. 86), as L'Estaque le matin, vu à contre-jour.
Record last updated March 21, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "L'Estaque le matin, vu à contre-jour, 1882–83 (FWN 189)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=505 (accessed on April 24, 2024).