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Le verger (Hattenville)
Alternate titles: A Meadow; Eine Wiese; Le verger; Un pré
Rewald: (506) 1882; Venturi: (442) 1885–86; Venturi revised: 1880–81
Oil on canvas
23 5/8 x 19 1/2 in. (60 x 49.5 cm)
Private Collection, Switzerland


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decade: 1880–89 »
theme: Landscape »

Exhibition History

1900 Berlin: Bruno and Paul Cassirer, III. Jahrgang der Kunst-Austellungen, Winter 1900/1901, no. 3, Eine Wiese, lent by Durand-Ruel, presumably for sale.
1905 London: Grafton Galleries, Pictures by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, no. 47 (dated 1882), A Meadow, lent by Galerie Durand-Ruel.
1920d Paris: Galerie Bernheim-Jeune, Cézanne, no. 8, Un pré, lent by Durand-Ruel.
1926a New York: Galerie Durand-Ruel, N.Y, The Impressionists, no. 3.
1934e Paris: Galerie Durand-Ruel, De Corot à Van Gogh, no. 5.
1936 Toledo: Toledo Museum of Art, Ohio, Cézanne and Gauguin, no. 32, ill, Un pré, lent by Durand-Ruel, New York.
1938c New York: Galerie Durand-Ruel, N.Y, Cézanne, no. 14, ill.
1970–71 Hamburg: Kunstverein, Französische Impressionisten: Hommage à Durand-Ruel, no. 8, ill.
1974 Tokyo and traveling: National Museum of Western Art, Tokyo, Cézanne, no. 31, ill.
1974a Paris: Galerie Durand-Ruel, Hommage à Paul Durand-Ruel, Cent ans d'impressionism, no. 12, ill, Un pré, lent by Private collection.
1984 Madrid: Museo Español de Arte Contemporáneo, Paul Cézanne, no. 30.
1984a London: Royal Academy of Arts, Modern Masters from the Thyssen-Bornemisza Collection, no. 17, ill. in color, p. 39.
1986 Tokyo and traveling: Isetan Museum of Art, Tokyo, Cézanne, no. 19, ill.
1990 Lugano: Thyssen-Bornemisza Collection, Impressionismus und Postimpressionismus: Sammlung Thyssen-Bornemisza, no. 24, ill. in color, pp. 64–65.
2007 Florence: Palazzo Strozzi, Cézanne a Firenze: Due collezionisti e la mostra dell'impressionismo del 1910 [In English:Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism], fig. 22, p. 103, ill, 262, Le verger (Hattenville), lent by Thyssen-Bornemisza Collections.
2007–08 Naples: Museo di Capodimonte, Omaggio a Capodimonte, no. 15, ill.
2015 Winterthur: Sammlung Oskar Reinhart "am Römerholz," Victor Chocquet: Freund und Sammler der Impressionisten, Renoir, Cézanne, Monet, Manet, no. 26, ill.
2017 Martigny: Fondation Pierre Gianadda, Paul Cezanne, Le chant de la terre, no. 35, ill, lent by Thyssen-Bornemisza Collection.

Published References

Duret 1906: Histoire des peintres impressionnistes, p. 180, ill.
Goodrich 1927: "The Impressionists Fifty Years Ago," p. 21, ill.
Venturi 1936b: Cézanne: Son Art, Son Oeuvre, no. 442, ill. vol. II, Le verger.
Frankfurter 1938a: "Cézanne: Intimate Exhibition," p. 14, ill.
Wilenski 1940: Modern French Painters, p. 76, fig. 21.
Rewald 1969: "Chocquet et Cézanne," fig. 24, p. 82, no. 10.
Schapiro 1973: Paul Cézanne, pl. 20.
Pickvance and Takumi 1986: Cézanne, p. 49, pl. 19.
Du 1989: "Das Tor zur Moderne. Paul Cézanne in Schweizer Sammlungen," p. 74, ill.
Rewald 1996: The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols., no. 506, ill. vol. 2, Le verger (Hattenville).
Reff 1997a: "The Paintings of Paul Cézanne, A Catalogue Raisonné by John Rewald: Review," pp. 800–01, dates the painting 1882 or later.
Schmidt 2004a: Cézannes Lehre, fig. 31.
Feilchenfeldt 2005a: "Zur Rezeptionsgeschichte Cézannes in Deutschland," p. 132, ill.
Bardazzi 2007b: Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism, p. 262, fig. 22.
Machotka 2008: Cézanne: The Eye and the Mind, 2 vols., vol. 1, fig. 163; vol. 2, p. 119, Le verger (Hattenville).
Echte and Feilchenfeldt 2011a: Kunstsalon Bruno & Paul Cassirer: Die Ausstellungen 1898-1901 «Das Beste aus aller Welt zeigen», Vol. 1, p. 355, ill.
Benedetti 2013b: "Gli artisti italiani e Cézanne," p. 36, fig. 11.
Page citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Le verger (Hattenville), 1882 (cat. no. 180)." The Paintings of Paul Cézanne: An Online Catalogue Raisonné. (accessed September 22, 2018).
Record last updated September 19, 2018. Please note that the information on this and all pages is periodically reviewed and subject to change.