The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 774
Pêches, poires et raisin
1879–80
Alternate titles: Assiette de fruits; Früchte auf blauem Teller; Poires et Raisins; Pommes, poires et raisin; Stilleben
Rewald (432): 1879–80; Venturi revised: 1879–82; Venturi (345): 1879–82; Gowing: 1877 (Burlington)
Oil on canvas
14 5/8 x 17 5/16 in. (37 x 44 cm)
Provenance
Exhibition History
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 10–22, 1910, no. 17, lent by Druet; for sale.
Städtische Ausstellungshalle, Cologne, Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Künstler, May 25–September 30, 1912, no. 128, as Früchte auf blauem Teller, lent by B. Koehler.
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 6–17, 1914, no. 22, as Poires et Raisins, lent by Private collection.
Hermitage Museum, St. Petersburg, Russian Federation, Hidden Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by The State Hermitage Museum, St. Petersburg, 1995–96, no. 47, ill., pp. 182–85.
State Hermitage Museum, St. Petersburg, Russian Federation, Cézanne and the Russian Avant-Garde, August 9–September 24, 1998, no. 12, ill. Traveled to: Pushkin Museum of Fine Arts, Moscow, October 15–November 18, 1998 (exhibition catalogue in Russian; text by Albert Kostenevich).
Published References
Franck, Maria. "Letter to Lisbeth Macke, Berlin, March 24, 1911." In Franz Marc: Briefwechsel. Cologne: DuMont Schauberg, 1964, p. 49.
Vasily Kandinsky and Franz Marc (editors). Der Blaue Reiter. Munich: Piper & Co., 1914 (2nd ed.), ill. after p. 55, as Stilleben.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 345, ill. vol. II, as Pommes, poires et raisin.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 432, ill. vol. 2, as Pêches, poires et raisin.
Wagner, Christoph. "'Primitivismus' und Konstruktion des Sichtbaren. Facetten der Cézanne Rezeption in der Kunstheorie der Moderne und im russischen Cézanneismus." In Die russische Avantgarde und Paul Cézanne. Bönen: Kettler, 2002. Exhibition catalogue, p. 122, fig. 1.
Feilchenfeldt, Walter. "Cézannes Sammler. Von Zola bis Annenberg." In "By Appointment Only": Schriften zu Kunst und Kunsthandel,
Cézanne und Van Gogh. Wädenswil: Nimbus, 2005, p. 182, ill.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 193; vol. 2, p. 132, as Pêches, poires et raisin.
Schaefer, Barbara, ed. "Sonderbundausstellung 1912 - Rekonstruktion." 1912, Mission Moderne: die Jahrhundertschau des Sonderbundes. Cologne: Wienend, 2012. Exhibition catalogue, no. 128, p. 554.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 31, ill., as Assiette de fruits, installation photograph from 1910 exhibition, p. 86.
Record last updated November 19, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Pêches, poires et raisin, 1879–80 (FWN 774)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=424 (accessed on March 16, 2025).
