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771
Boîte à lait et pommes
1879–80
Alternate titles: Fruchtestilleben mit blaugrauem Hintergrund; Nature morte; Pommes et poires, serviette et cruche; Still Life with Milk Can and Apples; Stilleben, Äpfel
Rewald: (426) 1879–80; Venturi: (338) 1879–82; Venturi revised: 1879–82; Gowing: 1877 (Burlington)
Oil on canvas
19 11/16 x 24 in. (50 x 61 cm)

Keywords

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decade: 1870–79 »
theme: Still life »

Exhibition History

1900 Berlin: Bruno and Paul Cassirer, III. Jahrgang der Kunst-Austellungen, Winter 1900/1901, no. 1, Stilleben, Äpfel, lent by Durand-Ruel, presumably for sale.
1932 Zürich: Kunsthaus, Sammlung Oskar Schmitz: Französische Malerei des XIX, Jahrhunderts, no. 31, Pommes et poires, serviette et cruche.
1933 Zürich: Kunsthaus, Französische Malerei des XIX. Jahrhunderts, no. 85 (dated c. 1885), Fruchtestilleben mit blaugrauem Hintergrund, lent by Schmitz.
1936a Paris: Wildenstein Galleries, La Collection Oskar Schmitz, no. 9, ill.
1936c New York: Wildenstein Galleries, N.Y, The Oscar Schmitz Collection, no. 9.
1937 San Francisco: San Francisco Museum of Art, Calif, Paul Cézanne, no. 13, ill, lent by Paley.
1939h New York: Marie Harriman Gallery, N.Y, Cézanne: Centennial Exhibition, no. 20 (dated 1906), Nature morte, lent by anon.
1951d New York: Wildenstein Galleries, N.Y, Wildenstein Jubilee Loan Exhibition, 1901–1951: Masterpieces from Museums and Private Collections, no. 49, ill.
1992 New York: The Museum of Modern Art, N.Y, The William S. Paley Collection, no. 12, ill.
2001–02 Washington, D.C. and traveling: Phillips Collection, Washington, D.C, Impressionist Still Life, pp. 118, 119, pl. 49, Still Life with Milk Can and Apples, lent by MoMA, New York.
2011–12 Paris: Musée du Luxembourg, Cézanne et Paris, no. 71, ill, p. 170, Boîte à lait et pommes, lent by MoMA, NY.

Published References

Scheffler 1921: "Die Sammlung Oskar Schmitz in Dresden," p. 187, ill.
Zeisho 1921: Paul Cézanne, fig. 1.
Dormoy 1926b: "La Collection Schmitz à Dresde," p. 342, ill.
Bénédite 1930: Französische Kunst, pl. 15.
Waldmann 1930a: "La Collection Schmitz: L'art français," p. 320.
Waldmann 1930b: Paul Cézanne: Acht farbige Gemälde, pl. 6.
Hazama, Adachi, and Nakogawa, eds. 1935: Recueil important des oeuvres de Paul Cézanne, vol. 3, Nature-mortes, pl. 7.
Venturi 1936b: Cézanne: Son Art, Son Oeuvre, no. 338, ill. vol. II, Nature morte.
Art Digest 1937b: "San Francisco Sees Cézanne's 'Little Sensation' in Great Exhibition," p. 6, ill.
Goldwater 1938: "Cézanne in America: The Master's Paintings in American Collections," p. 143, ill.
Cogniat 1939a: Cézanne, pl. 47.
Matisse 1945: "De la couleur," p. 9.
Dorival 1948: Cézanne, pl. 62.
Feist 1963: Paul Cézanne, pp. 27, 34, 50, pl. 5.
Flam 1973: Matisse on Art, pp. 101–02.
Barskaya 1975a: Paul Cézanne, p. 167, ill.
Rewald 1989: Cézanne and America: Dealers, Collectors, Artists and Critics, 1891–1921, pp. 11, 26, 337, pl. I.
Rubin and Armstrong 1992: The William S. Paley Collection, p. 149, fig. 8.
Rewald 1996: The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols., no. 426, ill. vol. 2, Boîte à lait et pommes.
Schmidt 2004a: Cézannes Lehre, fig. 82.
Feilchenfeldt 2005a: "Zur Rezeptionsgeschichte Cézannes in Deutschland," p. 130, ill.
Bardazzi 2007b: Cézanne in Florence: Two Collectors and the 1910 Exhibition of Impressionism, p. 261, fig. 15.
Warman 2010: "Cézanne Crosses the Atlantic: Vollard and American Collections," p. 80, fig. 1.
Warman 2011: "Cézanne peintre des peintres," p. 170, ill, Boîte à lait et pommes.
Echte and Feilchenfeldt 2011a: Kunstsalon Bruno & Paul Cassirer: Die Ausstellungen 1898-1901 «Das Beste aus aller Welt zeigen», Vol. 1, p. 345, ill.
Page citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Boîte à lait et pommes, 1879–80 (cat. no. 771)." The Paintings of Paul Cézanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=419 (accessed September 22, 2018).
Record last updated November 4, 2015. Please note that the information on this and all pages is periodically reviewed and subject to change.