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Catalogue entry

FWN 2170-TA
D'après Houdon: l'Ecorché
1892–95
Alternate titles: After Houdon: L'Ecorché; Ecorché (d'après Houdon); L'Écorché de Houdon; Männlicher Akt; Männlicher Rückenakt; Rückenakt I
Chappuis (1109); Venturi (1626): 1890–1900
Charcoal on paper
18 11/16 x 8 1/4 in. (47.5 x 21 cm)
Hermitage Museum, St. Petersburg (OP 79-12462)

Keywords

Provenance
Alfred Flechtheim, Berlin
Max Silberberg, Breslau;
Sammlung S[ilberberg], Auktion Graupe, Berlin, Mar. 23, 1935, no. 31, ill.
Freunde der Nationalgalerie, Berlin (lost during World War II)
Hermitage Museum, St. Petersburg (allocated by the Russian authorities after being confiscated in Germany at the end of World War II)
Exhibition History
1927e Berlin
Galerie Flechtheim, Berlin, Cézanne, Aquarelle und Zeichnungen; Bronzen von Edgar Degas, May 19–June 16, 1927, no. 39, ill., as Rückenakt I, for sale.
1996–97 St. Petersburg
Hermitage Museum, St. Petersburg, Russian Federation, Les dessins retrouvés: chefs-d’oeuvre de collections allemandes d’avant-guerre, December 3, 1996–March 31, 1997, no. 58, ill., as Ecorché (d'après Houdon).
Published References
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1626, ill. vol. II, as L'Écorché de Houdon.
Berthold 1958
Berthold, Gertrude. Cézanne und die alten Meister. Stuttgart: W. Kohlhammer, 1958, cat. no. 168, ill.
Chappuis 1973
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 1109, ill., as After Houdon: L'Ecorché.
Heuß 2001
Heuß, Anja. "Die Sammlung Max Silberberg." In Die Moderne und ihre Sammler: französische Kunst in deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, edited by Andrea Pophanken and Felix Billeter. Berlin: Akademie Verlag, 2001, pp. 321-322, fig. 67.
Papies 2001
Papies, Hans Jürgen. "Notizen zum Thema 'Cézanne' und die Berliner Museen." In Cézanne in Berlin. Berlin: Staatliche Museen zu Berlin, 2001. Exhibition catalogue, pp. 19-20, ill. p. 20, as Männlicher Rückenakt, c. 1892-95.
Golenia et al. 2016
Golenia, Patrick, Kristina Kratz-Kessemeier, Isabelle le Masne de Chermont. Paul Graupe (1881-1953): Ein Berliner Kunsthändler zwischen Republik, Nationalsozialismus und Exil. Köln, Weimar, Wien: Böhlau, 2016, p. 104, fig. 109, as Männlicher Akt.
D'après Houdon: l'Ecorché, 1892–95 (FWN 2170-TA). Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Photo: © Avishek Banerjee

Related work

Record last updated November 10, 2020. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "D'après Houdon: l'Ecorché, 1892–95 (FWN 2170-TA)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=2800 (accessed on April 26, 2024).