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Catalogue entry

FWN 3010-30b
Femme debout se coiffant
c.1887–90
Alternate titles: A study for 'La Toilette'; Baigneuse debout; Standing Female Nude; Standing Woman Arranging her Hair; Standing woman doing her hair
Chappuis (968): 1887–90
Graphite over scored outlines on wove paper, p. XXX verso from the EH II sketchbook
5 x 8 1/2 in. (12.7 x 21.6 cm)

Keywords

Provenance
Paul Cézanne fils, Paris
Maurice Renou, Paris
Jean Poyet, Lyon
Maurice Renou, Paris
Sam Salz, New York
Enid Haupt, New York
Mr. and Mrs. Walter H. Annenberg, Palm Springs;
Philadelphia Museum of Art (1987)
Exhibition History
2000 Aix-en-Provence
Musée Granet, Aix-en-Provence, France, Au fil de l'eau: Cézanne, June 17–September 15, 2000, no. 44, ill. p. 60, as Baigneuse debout, lent by Philadelphia Museum of Art.
Published References
Rewald 1951
Rewald, John. Cézanne: Carnets de Dessins, 2 vols. Paris: Quatre Chemins-Editart, 1951, C IV, p. XXX verso, pl. 89.
Berthold 1958
Berthold, Gertrude. Cézanne und die alten Meister. Stuttgart: W. Kohlhammer, 1958, p. 40, fig. 51.
Lichtenstein 1964a
Lichtenstein, Sara. "Cézanne and Delacroix." The Art Bulletin 46, no. 1 (March 1964), p. 56, note 6, nos. 14–17.
Chappuis 1973
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 968, ill., as Standing woman doing her hair.
Lichtenstein 1975
Lichtenstein, Sara. "Cézanne's Copies and Variants after Delacroix." Apollo (London) 101, no. 156 (February 1975), fig. 40, p. 126, as A study for 'La Toilette'.
Shoemaker and Reff 1989
Shoemaker, Innis, and Theodore Reff. Paul Cézanne: Two Sketchbooks. Philadelphia: Philadelphia Museum of Art, 1989. Exhibition catalogue, p. 194 (Sketchbook II; page XXX verso), ill., as Standing Female Nude.
Ballas 2002
Ballas, Guila. Cézanne: baigneuses et baigneurs: thème et composition. Paris: Adam Biro, 2002, p. 288, no. 98, ill. c. 1887.
Dombrowski, Ireson and Patry 2021
Dombrowski, André, Nancy Ireson, and Sylvie Patry, eds. Cézanne in the Barnes Foundation. New York: Rizzoli Electa in association with The Barnes Foundation, 2021, p. 130, fig. 6, as Standing Woman Arranging her Hair.
Notes

Inspired by Delacroix's painting Le lever which Cezanne probably knew from a reproduction in L'Artiste from 1851.

Femme debout se coiffant, c.1887–90 (FWN 3010-30b). Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Femme debout se coiffant, c.1887–90 (FWN 3010-30b). Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
Photo: © gallica.bnf.fr / Bibliothèque nationale de France

Related work

Record last updated May 6, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Femme debout se coiffant, c.1887–90 (FWN 3010-30b), over scored outlines on wove paper, p. XXX verso from the EH II sketchbook." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=2654 (accessed on April 18, 2024).