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Catalogue entry

Bruce M. White
FWN 1271
Arbres
c.1890
Alternate title: Trees
Chappuis (933): c.1891
Graphite on paper
19 x 12 in. (48.3 x 30.5 cm)
Henry and Rose Pearlman Foundation, New York (on extended loan to the Princeton Art Museum)

Keywords

Provenance
Vitale Bloch, Paris
John Wyeth, New York
Weyhe Gallery, New York
Meier Bernstein, Brooklyn, New York
Mr. and Mrs. Henry Pearlman, New York;
Henry and Rose Pearlman Foundation, New York (1985)
Exhibition History
1968b New York
The Metropolitan Museum of Art, New York, New York Collects, July 3–September 2, 1968.
1970 Hartford
Wadsworth Atheneum, Hartford, Connecticut, Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works, June 10–October 4, 1970, no. 9.
1971a New York
The Metropolitan Museum of Art, New York, Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation, July 13–September 7, 1971, no. 25 (or possibly FWN 1215).
1974 Brooklyn and traveling
Brooklyn Museum, Brooklyn, New York, Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, May 22–September 29, 1974, no. 55, ill. Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
1982 Princeton
Princeton University Art Museum, Princeton, Paul Cézanne: The Collection of Mr. and Mrs. Henry Pearlman, June 26–August 29, 1982.
1986 Brooklyn
Brooklyn Museum, Brooklyn, Art of Cézanne from the Henry & Rose Pearlman Foundation, May 2–July 14, 1986.
2002–03 Princeton
Princeton University Art Museum, Princeton, New Jersey, Cézanne in focus : watercolors from the Henry and Rose Pearlman Collection, October 19, 2002–January 12, 2003. (Exhibition catalogue: Simms 2002), p. 19, ill.
2014–16 Oxford and traveling
Ashmolean Museum, University of Oxford, Oxford, United Kingdom, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, March 13–June 22, 2014, no. 10, ill. c. 1891. Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
Published References
Vie, art, cité 1939
Vie, art, cité: revue suisse romande bimestrielle (Dec. 1939), ill.
Chappuis 1973
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 933, ill., as Trees.
Simms 2002
Simms, Matthew. "Painting on Drawing: Cézanne's Watercolors." In Cézanne in focus : watercolors from the Henry and Rose Pearlman Collection. Princeton: Princeton University Art Museum (2002–03 Princeton), fig. 6.
Freudenberg 2008
Freudenberg, Inken. "Cezanne Would Not Have Interested Me." In Cézanne & Giacometti, Paths of Doubt. Humlebaek: Hatje Cantz, 2008. Exhibition catalogue, pp. 248–49, fig. 1.
Simms 2014a
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 137, fig. 85 (cat. 10).
Additional material / links
Record last updated April 15, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Arbres, c.1890 (FWN 1271)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=2618 (accessed on May 6, 2024).