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Catalogue entry

FWN 2297
Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret
1879–80
Alternate titles: Page of Studies; Skizzenblatt mit drei Bildnisstudien Paul Cézanne jun.
Chappuis (731); Venturi (1475)
Graphite on paper
9 7/16 x 12 3/16 in. (24 x 31 cm)
The Phillips Collection (NY), New York

Keywords

Provenance
Paul Cézanne fils, Paris
Paul Guillaume, Paris
Kenneth Clark, London
Eger, Paris
Galerie Rousso, Paris
Lazarus Phillips, Montreal;
The Phillips Collection [NY], New York
Exhibition History
1971 Washington, D.C. and traveling
Phillips Collection, Washington, D.C., Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, February 27–March 28, 1971, no. 68A, ill. Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
1978 Tübingen
Kunsthalle, Tübingen, Germany, Paul Cézanne - Das zeichnerische Werk, October 21–December 31, 1978, no. 46, ill. p. 140, as Skizzenblatt mit drei Bildnisstudien Paul Cézanne jun. 1880-1883, lent by The Phillips Family Collection.
2021a New York
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 14, Phillips Family Collection.
Published References
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, vol. I, under no. 1475.
Berthold 1958
Berthold, Gertrude. Cézanne und die alten Meister. Stuttgart: W. Kohlhammer, 1958, cat. no. 336.
Chappuis 1965
Chappuis, Adrien. "Cézanne dessinateur: copies et ilustrations." Gazette des beaux-arts, vol. 66, periode 6 (November 1965), fig. 9.
Andersen 1970
Andersen, Wayne V. Cézanne's Portrait Drawings. Cambridge, MA, London: MIT Press, 1970, no. 152, ill. dated 1882–84.
Chappuis 1973
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 731, ill, as Page of Studies.
Venturi 1978
Venturi, Lionello. Cézanne. Geneva: Skira, 1978, p. 68, no. 07, ill. p. 71, as Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret, 1879-80.
Ballas 2002
Ballas, Guila. Cézanne: baigneuses et baigneurs: thème et composition. Paris: Adam Biro, 2002, p. 305, no. 223, ill. 1879-80.
Notes

The figure of Christ, upper left, is drawn after a reproduction of Pedrode Moyas' painting Visión de Santa María Magdalena de Pazzi (Vision of Saint Mary Magdalene de Pazzi), Museo bellas artes, Granada, the scene lower left after José vendido por sus hermanos (Joseph Sold by his Brothers), Museo del Prado, Madrid. Cezanne probably knew both works from wood-engraved reproductions in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole. The bust of the woman is taken from an engraving after Tintoretto's portrait of his daughter, published in Charles Blanc's Ecole vénitienne.

Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret, 1879–80 (FWN 2297). After Pedro de Moya, Vision of Saint Mary Magdalene de Pazzi, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [179].
After Pedro de Moya, Vision of Saint Mary Magdalene de Pazzi, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [179].
Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret, 1879–80 (FWN 2297). After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret, 1879–80 (FWN 2297). Engraving after Tintoretto, Portrait of Maria Robusti (Tintoretta), published in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole vénitienne, Paris: Veuve J. Renouard, 1868, p. [179].
Engraving after Tintoretto, Portrait of Maria Robusti (Tintoretta), published in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole vénitienne, Paris: Veuve J. Renouard, 1868, p. [179].
Record last updated October 25, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Trois portraits de Paul et études d'après Pedro de Moya et le Tintoret, 1879–80 (FWN 2297)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=2407 (accessed on April 26, 2024).