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Catalogue entry

FWN 3017-29a
Etudes d'après Passarotti, le Dominiquin et un maître inconnu
1867–70
Alternate titles: Etudes; Studies after Passarotti, Domenichino, and an unknown master
Chappuis (212); Venturi (1579): 1875–77
Graphite on wove paper, page from the BSB sketchbook
7 1/16 x 9 1/2 in. (18 x 24.1 cm)
Kunstmuseum Basel, Kupferstichkabinett

Keywords

Provenance
Paul Cézanne fils, Paris
Werner Feuz, Bern
Kunstmuseum Basel, Kupferstichkabinett (1934)
Exhibition History
1979 Rome
Palazzo Braschi, Rome, Disegni di Cézanne, February 13–March 30, 1979, no. 29, ill., p. 40.
2017 Basel
Kunstmuseum Basel, Basel, Switzerland, The Hidden Cézanne: From Sketchbook to Canvas, June 10–September 24, 2017, no. 33, ill.
2021a New York
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 12, Kunstmuseum Basel, Kupferstichkabinett.
Published References
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1579, ill. vol. II, as Etudes.
Berthold 1958
Berthold, Gertrude. Cézanne und die alten Meister. Stuttgart: W. Kohlhammer, 1958, p. 37 (seated nymph), cat. nos. 272, 286 (two figures at left), fig. 33.
Reff 1960c
Reff, Theodore. "Book Reviews: Cézanne und die alten Meister by Gertrude Berthold." The Art Bulletin, vol. 42, no. 2 (June 1960), p. 146 and p. 148, Appendix, cat. 286.
Chappuis 1962
Chappuis, Adrien. Les dessins de Paul Cézanne au cabinet des estampes du Musée des beaux-arts de Bâle. Olten and Lausanne: Urs Graf, 1962, no. 24, ill.
Longstreet 1964
Longstreet, Stephen. The Drawings of Cézanne. Los Angeles: Borden Publishing Company, ill.
Chappuis 1973
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 212, ill., as Studies after Passarotti, Domenichino, and an unknown master.
Notes

The two figures at left are made from a reproduction of the painting <em>Portrait of Two Unknown Men</em> by Giambattista Moroni or Bartolommeo Passarotti. The figure of the woman with arms raised and the seated woman are both taken from a reproduction of Domenichino's <em>Diana and her Nymphs</em>; the head of a woman by an unknown master.

Etudes d'après Passarotti, le Dominiquin et un maître inconnu, 1867–70 (FWN 3017-29a). Domenichino, Diana and her Nymphs, oil on canvas, Galleria Borghese, Rome.
Domenichino, Diana and her Nymphs, oil on canvas, Galleria Borghese, Rome.
Etudes d'après Passarotti, le Dominiquin et un maître inconnu, 1867–70 (FWN 3017-29a). Reproduction of a painting by Giambattista Moroni or Bartolommeo Passarotti, Ritratti d'Incogniti, Pinacoteca Capitolina, Rome.
Reproduction of a painting by Giambattista Moroni or Bartolommeo Passarotti, Ritratti d'Incogniti, Pinacoteca Capitolina, Rome.
Record last updated June 9, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Etudes d'après Passarotti, le Dominiquin et un maître inconnu, 1867–70 (FWN 3017-29a), page from the BSB sketchbook." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1865 (accessed on April 25, 2024).