The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 2209-TA
Nu debout vu de dos, deux études pour L'enlèvement
nude, c.1861; studies, 1866–67
Alternate titles: Male Nude Leaning on His Elbow; Nu debout vu de dos, et deux études pour "L'Enlèvement"; Standing male nude seen back view, and two studies for The Abduction; nude; Standing Male Nude Seen from the Back and Two Studies for "The Abduction"
Chappuis (200)
Graphite on paper
Watermark: MICHALLET
16 15/16 x 11 7/16 in. (43 x 29 cm)
Provenance
Exhibition History
National Museum of Modern Art, Tokyo, Watercolor and Drawing, 1954, n.n.
Isetan [Department Store], Tokyo, Cézanne, Renoir, Rouault, March 1–17, 1963, no. 9, ill.
Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999, no. 10, ill., as Nu debout vu de dos, et deux études pour "L'Enlèvement", lent by Ohara Museum of Art, Kurashiki. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.
Published References
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, vol. I, p. 347, listed (Collection Gachet).
Chappuis, Adrien. The Drawings of Paul Cézanne: A Catalogue Raisonné. Greenwich, CT: New York Graphic Society, 1973, no. 200, ill., as Standing male nude seen back view, and two studies for The Abduction; nude.
Cachin, Françoise, and Joseph Rishel. Cézanne. Paris: Réunion des musées nationaux, 1995. Exhibition catalogue, p. 100, fig. 1, as Nu debout vu de dos, et deux études pour "L'Enlèvement", 1866-1867.
Stein, Susan, with the assistance of Julie Steiner. "Summary Catalogue of Works by Major Artists (Volume II, Cézanne [catalogue raisonné by Paul Gachet fils)." Cézanne to Van Gogh: The Collection of Doctor Gachet. New York: The Metropolitan Museum of Art, 1999. Exhibition catalogue, p. 209, P.G. II-34, ill., as Standing Male Nude Seen from the Back and Two Studies for "The Abduction", c. 1861; studies, 1866-67.
Ballas, Guila. Cézanne: baigneuses et baigneurs: thème et composition. Paris: Adam Biro, 2002, p. 301, no. 204, ill. 1861 (nu debout).
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 37, fig. 27.
Friedman, Samantha. "Condensation: Cézanne's Study Sheets." In Cézanne Drawing. New York: The Museum of Modern Art, 2021. Exhibition catalogue, p. 27, fig. 11.
Related
Related work
Record last updated November 3, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Nu debout vu de dos, deux études pour L'enlèvement, nude, c.1861; studies, 1866–67 (FWN 2209-TA)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1853 (accessed on May 3, 2025).
