The Paintings, Watercolors and Drawings of Paul Cezanne
An online catalogue raisonné under the direction of Walter Feilchenfeldt, Jayne Warman and David Nash
Catalogue entry
FWN 60
L'Estaque, effet du soir
c.1871 (possibly 1876)
Alternate titles: L'Estaque; L'Estaque bei Abendstimmung; La Grève, près de l'Estaque; Marine grise
Rewald: (170) 1871 (possibly 1876); Venturi revised: c.1870; Venturi: (57) c.1870; Rivière: 1883 (1933); Machotka et al: c.1871?
Oil on canvas
17 5/16 x 23 5/8 in. (44 x 60 cm)
Provenance
Exhibition History
Galerie Vollard, Paris, Exposition Cézanne, May 9–June 10, 1898 (exhibition catalogue), no. 48, as Marine grise.
Galerie Bernheim-Jeune, Paris, Cézanne, December 1–18, 1920. A loan exhibition that included approximately thirty watercolors and drawings, no. 25, as La Grève, près de l'Estaque, tentative identification, lent by Blot.
Galerie Bernheim-Jeune, Paris, Rétrospective Paul Cézanne, June 1–30, 1926. Four watercolors (nos. 30–33 and no. 58) were also shown, no. 15, as L'Estaque, lent by Blot.
Orangerie, Paris, Cézanne dans les musées nationaux, July 19–October 14, 1974 (exhibition catalogue; catalogue by Michel Hoog in collaboration with Simone Rufenacht and Geneviève Monnier), no. 20.
Musée Cantini, Marseille, France, L'Estaque, naissance du paysage moderne, 1870–1910, June 25–September 25, 1994, no. 3, ill.
Published References
Borély, Jules. "Cézanne à Aix [Hommage à Paul Cézanne]." L'Art vivant (Paris), no. 37 (July 1, 1926), p. 493, ill.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1933, p. 85, ill.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 57, ill. vol. II as L'Estaque, effet du soir.
Rivière, Georges. Cézanne: Le Peintre solitaire. Paris: Librairie Floury, 1942, p. 87, ill.
Berger, Klaus. "Krise des Impressionismus in den achtziger Jahren: Cézanne, Seurat, van Gogh, E. Bernard, Gauguin - Natur und Struktur." Japonismus in der westlichen Malerei: 1860-1920. Munich: Prestel, 1980, fig. 76, p. 122 as L'Estaque bei Abendstimmung.
Muller, Joseph-Emile. Cézanne. Translated by Jane Brenton. Paris: Fernand Hazan, 1982, pl. 11.
Plazy, Gilles. Cézanne ou la peinture absolue. Paris: Editions Liana Levi, 1988, p. 39, ill. in color.
Bonafoux, Pascal. Cézanne: portrait. Paris: Editions Hazan, 1995, p. 111, ill.
De Lartigue, Charles. Les paysages de Paul Cézanne. Lyon: Les Créations du Pélican, 1995, p. 43, ill.
Coutagne, Denis, et al. Les Sites Cézanniens du Pays d'Aix: Hommage à John Rewald. Paris: Réunion des musées nationaux, 1996, p. 111.
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 170, ill. vol. 2 as L'Estaque, effet du soir.
Athanassoglou-Kallmyer, Nina M. Cézanne and Provence, The Painter in His Culture. Chicago and London: The University of Chicago Press, 2003, p. 112, fig. 3.10 as L'Estaque, effet du soir.
Blanc, Geneviève. L'Estaque, Art et Patrimoine, Chronique d'une double histoire. Gémenos: Groupe Horizon, 2013, p. 120, ill.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 138, ill.
Related
Record last updated June 2, 2017. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "L'Estaque, effet du soir, c.1871 (possibly 1876) (FWN 60)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=178 (accessed on April 18, 2019).