The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 1988
La Bouteille de cognac
1906
Alternate titles: Nature morte; Nature-morte; Still Life; Still Life with Carafe, Bottle, and Fruit; Still-Life - Nature morte
Rewald (W642); Venturi revised: 1906; Venturi (1154): 1906; Rivière: October 1906
Graphite and watercolor on wove paper
Watermark: MONTGOLFIER SAINT MARCEL LES ANNONAY
18 1/2 x 24 3/8 in. (47 x 62 cm)
Provenance
Exhibition History
Salon d'Automne, Grand Palais, Paris, Rétrospective d'oeuvres de Cézanne, October 1–22, 1907, no. 36, as La Bouteille de cognac, lent by Cézanne fils.
Galerie Renou et Colle, Paris, Aquarelles et baignades de Cézanne, June 3–17, 1935.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 140, as Nature morte, October 1906, lent by Paul Cézanne fils, Paris.
Valentine [Dudensing] Gallery, New York, Cézanne watercolors, Renoir drawings, January 4–30, 1937, no. 1, as Nature morte.
Phillips Collection, Washington, D.C., Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, February 27–March 28, 1971, hors catalogue, shown in Boston only. Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
The Metropolitan Museum of Art, New York, Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation, July 13–September 7, 1971, no. 19.
Paul Rosenberg & Co, New York, Sixteen watercolors by Cezanne on loan from the collection of Mr. and Mrs. Henry Pearlman, October 16–November 16, 1973, no. 14, ill., (illustrated on cover of the catalogue).
Brooklyn Museum, Brooklyn, New York, Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, May 22–September 29, 1974, no. 47, ill. Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 76, ill., pl. 185, as Still Life, 1906, lent by Estate of Henry Pearlman, New York. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Acquavella Galleries, New York, Cézanne Watercolors, October 18–November 24, 1999, no. 34, ill.
Princeton University Art Museum, Princeton, New Jersey, Cézanne in focus : watercolors from the Henry and Rose Pearlman Collection, October 19, 2002–January 12, 2003. (Exhibition catalogue: Simms 2002), no. 16, ill.
The J. Paul Getty Museum, Los Angeles, Cézanne in the Studio: Still Life in Watercolor, October 12, 2004–January 2, 2005, pl. 22 and fig. 44 (detail), as Still Life with Carafe, Bottle, and Fruit.
Montclair Art Museum, Montclair, New Jersey, Cézanne and American Modernism, September 13, 2009–January 3, 2010, no. 22, ill., p. 164, shown in Montclair only. Traveled to: The Baltimore Museum of Art, Baltimore, February 14–May 23, 2010; Phoenix Art Museum, Phoenix, June 26–September 26, 2010.
Ashmolean Museum, University of Oxford, Oxford, United Kingdom, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, March 13–June 22, 2014, no. 24, ill. Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 217, Henry and Rose Pearlman Foundation.
Published References
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, ill. opp. p. 184, as Nature morte.
Laprade, Jacques de. "L'exposition Cézanne à l'Orangerie." Beaux-arts: Chronique des arts et de la curiosité, no. 177 (May 22, 1936), ill. p. 1, as Dernière oeuvre de Cézanne.
Album Quatre Chemins. Cézanne – Cinq aquarelles reproduites en facsimilé. Paris and New York: Quatre chemins and Raymond & Raymond, n.d. [1936], pl. 5.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1154, ill. vol. II, as Nature morte.
Novotny, Fritz. Cézanne. London: Phaidon Press, 1947, pl. 105, as Still-Life - Nature morte, 1906, P. Cézanne fils, Paris.
Reff, Theodore. "Cézanne Drawings." Review of Les dessins de Paul Cézanne au cabinet des estampes du Musée des beaux-arts de Bâle, by Adrien Chappuis. The Burlington Magazine 105, no. 725 (August 1963), p. 376.
Badt, Kurt. The Art of Cézanne. Translated by Sheila Ann Ogilvie. Berkeley and Los Angeles: University of California Press, 1965, p. 45, pl. 3.
Sérullaz, Maurice. Cézanne: quinze aquarelles reproduites en facsimilé. Paris: Daniel Jacomet, 1971, pl. 15, as Nature-morte, 1906.
[Portfolio of] Watercolors by Cézanne from the Collection of Mr. and Mrs. Henry Pearlman. Utica: Munson-William-Proctor Institute, 1972.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 642, ill.
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 201, fig. 144.
Simms, Matthew. "Painting on Drawing and Cézanne's Watercolors." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 170, fig. 111 (cat. 24).
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 305, fig. 221.
Kaufmann, Bettina. Paul Cezanne: Die Bilder seiner Ausstellung Paris 1907 besucht, betrachtet und beschrieben von Rainer Maria Rilke. Munich: Schirmer/Mosel, 2018, no. 36, p. 192, ill., as La Bouteille de cognac.
Ruppen, Fabienne. "Tackling Cezanne's Paper: On the Reconstruction of Loose Sheets." In Reconstructing Cezanne. London: Ridinghouse and Luxembourg & Dayan, 2019. Exhibition catalogue, fig. 11.
Notes
This work may have been one of Cezanne's last three watercolors. The other two were [Portait de Vallier de profil, 1906 (1782)] and [Le Cabanon de Jourdan, 1906 (1521)] (see Rivière, 1923, p. 225).
Record last updated February 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Bouteille de cognac, 1906 (FWN 1988)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1625 (accessed on April 17, 2024).
