The Paintings, Watercolors and Drawings of Paul Cezanne
Paysan au canotier
Alternate titles: Man Wearing a Straw Hat; Man with a Straw Hat; Peasant with Straw Hat
Rewald: (W638); Venturi revised: 1904–06; Venturi: (1090) 1900–06
Graphite and watercolor on wove paper
18 7/8 x 12 3/8 in. (47.9 x 31.5 cm)
Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).
Traveled to: The Art Institute of Chicago, Chicago, September 10, 1991–January 5, 1992.
Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Traveled to: Tate Moderrn, London, October 6, 2022–March 12, 2023.
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, p. 158, ill.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1090, ill. vol. II, as Paysan au canotier.
Loran, Erle. "Cézanne in 1952." Quarterly (Art Institute of Chicago) 46, no. 1 (February 1, 1952), fig. 2, p. 4.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 638, ill.
Thyssen-Bornemisza Collection. Modern Masters from the Thyssen-Bornemisza Collection. London: Mondadori Electa, 1984. Exhibition catalogue, p. 145.
Sillevis, John et. al. A Feast of Colour: Post-Impressionists from Private Collections. Zwolle, Netherlands, 1990, p. 66.
Dwight, Eleanor. The letters of Pauline Palmer: a great lady of Chicago's first family. New York, 2005.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig. 374; vol. 2, p. 237, as Paysan au canotier.
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 144, fig. 102.
Landrot, Gérard. Cézanne Aquarelles. Paris: Éditions Langlaude, 2010, p. 77, ill.
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 106, fig. 65.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 317, ill.
Ruppen, Fabienne. "Tackling Cezanne's Paper: On the Reconstruction of Loose Sheets." In Reconstructing Cezanne. London: Ridinghouse and Luxembourg & Dayan, 2019. Exhibition catalogue, fig. 10.
Muir, Kimberly, Kristi Dahm, Giovanni Verri, Maria Kokkori, and Clara Granzotto. "'A Harmony Parallel to Nature' – Color, Form, and Space in Cezanne's Watercolors and Oil Paintings." In Cezanne. Chicago: Art Institute of Chicago, 2022, pp. 49, 56, figs. 3 and 13 (details).
Record last updated May 23, 2020. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Paysan au canotier, c.1906 (FWN 1779)." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=1621 (accessed on September 25, 2022).