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Catalogue entry

FWN 1513
La Seine aux environs de Paris
1904–05
Alternate titles: Auvers; Bords de rivière; Die Brücke von Argenteuil (Le pont d'Argenteuil); Flussufer; La rivière dans la ville; Landschap; Paysage d'Auvers
Rewald (W627); Venturi revised: c.1900; Venturi (918): c.1900
Graphite and watercolor on paper
18 x 21 7/8 in. (45.7 x 55.5 cm)
Vollard archives: photo no. 96
Arkansas Arts Center Foundation Collection, Little Rock (Purchase, Fred W. Allsopp Memorial Acquisition Fund)

Keywords

Provenance
Estate of Paul Cezanne
Galerie Bernheim-Jeune, Paris (1907)
Gottlieb Friedrich Reber, Barmen (April 5, 1913)
Dr. Hans Wendland, Paris;
Séquestre Wendland, Hôtel Drouot, Paris, Oct. 26, 1921, no. 3 (as Le village au bord de l'eau)
Galerie Bernheim-Jeune, Paris (November 14, 1921)
Percy Moore Turner, London (October 28, 1922)
Lord Ivor Spencer Churchill, London
Fine Arts Associates (Otto Gerson), New York (1953)
Sir Edward and Lady Hulton, London
Marlborough Galleries, London
Sotheby's, London, July 1, 1981, no. 307, Ill. (as Pont d'Argenteuil) ; bought in
Arkansas Arts Center Foundation Collection, Little Rock (1983)
Exhibition History
1907d Paris
Galerie Bernheim-Jeune, Paris, Les aquarelles de Cézanne, June 17–29, 1907, no. 58 ?, as Bords de rivière.
1907 Berlin
Paul Cassirer, Berlin, X. Jahrgang, 1907/1908, I. Ausstellung, September 30–October 18, 1907, no. 52, as Flussufer, tentative identification.
1908 Dresden
Kunstsalon Emil Richter, Dresden, Germany, Vincent van Gogh, Paul Cézanne, April–May 1908, no. 39, as Flussufer.
1913 London
Grafton Galleries, London, Second Post-Impressionist Exhibition - Re-arrangement, January 4–31, 1913, no. 6, as La rivière dans la ville, lent by Bernheim-Jeune et Cie.
1929 New York
The Museum of Modern Art, New York, The museum's first loan exhibition: Cézanne, Gauguin, Seurat, van Gogh, November 8–December 7, 1929, no. 33, as Auvers, lent by Ivor Spencer Churchill.
1930 Amsterdam
Stedelijk Museum, Amsterdam, Vincent van Gogh en zijn tijdgenooten, September 6–November 2, 1930, no. 133, as Landschap, lent by Ivor Spencer Churchill, London.
1936 Basel
Kunsthalle, Basel, Switzerland, Paul Cézanne, August 30–October 12, 1936, no. 90, as La Seine aux environs de Paris, c. 1900, lent by Lord Ivor Spencer Churchill, London.
1947 Cincinnati
Cincinnati Art Museum, Cincinnati, Paintings by Paul Cézanne, February 5–March 9, 1947, no. 17.
1952 New York
Fine Arts Associates [Otto Gerson], New York, Cézanne: Rarely Shown Works, November 10–29, 1952, [W] 14, formerly Bernheim Jeune, Paris; Lord Ivor Spencer Churchill, London.
1964–65 Rotterdam and traveling
Museum Boijmans-van Beuningen, Rotterdam, the Netherlands, The Collection of Sir Edward and Lady Hulton, November 27, 1964–January 17, 1965, no. 4. Traveled to: Kunsthaus, Zurich, December 3, 1967–January 7, 1968.
1967–68 Zurich
Kunsthaus, Zurich, Sammlung Sir Edward und Lady Hulton, 1967–68, no. 6.
1982 Tübingen and traveling
Kunsthalle Tübingen, Tübingen, Paul Cézanne Aquarelle, January 16–March 21, 1982, no. 69, ill., as Die Brücke von Argenteuil (Le pont d'Argenteuil), c. 1900, lent by Marlborough Fine Art Ltd, London. Traveled to: Kunsthaus, Zürich, April 2–May 31, 1982.
Published References
Le Bulletin de la Vie artistique 1926f
"L'art de l'aquarelle." Le Bulletin de la Vie artistique 7, no. 1 (January 1926), ill. p. 11.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 918, ill. vol. II, as La Seine aux environs de Paris.
Rewald 1983a
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 627, ill.
Kropmanns and Fleckner 2001
Kropmanns, Peter, and Uwe Fleckner. "Von kontinentaler Bedeutung: Gottlieb Friedrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler: französische Kunst in deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, edited by Andrea Pophanken and Felix Billeter. Berlin: Akademie Verlag, 2001, listed p. 388.
Schneider and Jaehner 2013
Schneider, Thomas F. and Inge Jaehner, eds. Remarques Impressionisten: Kunstsammeln und Kunsthandel im Exil / Remarque's Impressionists: Art Collecting and Art Dealing in Exile. Göttingen and Bristol: Vandenhoeck & Ruprecht, 2013, pp. 316-17, no. 59, ill.
Kaufmann 2018
Kaufmann, Bettina. Paul Cezanne: Die Bilder seiner Ausstellung Paris 1907 besucht, betrachtet und beschrieben von Rainer Maria Rilke. Munich: Schirmer/Mosel, 2018, no. 32, pp. 70-71 et p. 191, ill., as Paysage d'Auvers.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 316, ill., as La rivière dans la ville.

Related

Record last updated August 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "La Seine aux environs de Paris, 1904–05 (FWN 1513)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1610 (accessed on April 16, 2024).