The Paintings, Watercolors and Drawings of Paul Cezanne
La Montagne Sainte-Victoire vue des Lauves en hiver
Alternate titles: Mont Sainte-Victoire; Mont Sainte-Victoire in Winter, seen from Les Lauves; Montagne Sainte-Victoire; Monte Sainte Victoire or Paysage avec la Montagne Sainte Victoire; Sainte-Victoire; The "montagne Sainte Victoire"
Rewald: (W584); Venturi revised: 1902–06
Graphite and watercolor on wove paper
Watermark: MONTGOLFIER SAINT MARCEL LES ANNONAY
12 3/16 x 18 3/4 in. (31 x 47.6 cm)
Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
Traveled to: Kunsthaus, Zürich, April 2–May 31, 1982.
Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
(Exhibition catalogue: Simms 2002), no. 11, ill.
Traveled to: Musée Granet, Aix-en-Provence, France, June 9–September 17, 2006.
Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
[Portfolio of] Watercolors by Cézanne from the Collection of Mr. and Mrs. Henry Pearlman. Utica: Munson-William-Proctor Institute, 1972.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 584, ill.
Teboul, Jacques. Les Victoires de Cézanne. Paris: Adam Biro, 1988, no. 20, ill.
Boehm, Gottfried. "Cézanne and the Unfinished." In Cézanne: Finished, Unfinished. Ostfildern-Ruit: Hatje Cantz, 2000. Exhibition catalogue, p. 34, fig. 8, as Mont Sainte-Victoire in Winter, seen from Les Lauves.
Armstrong, Carol. Cézanne in the Studio: Still Life in Watercolors. Los Angeles: Getty Publications, 2004. Exhibition catalogue, p. 49, fig. 17, as Mont Sainte-Victoire, c. 1901-06.
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 161, fig. 113.
Schneider, Thomas F. and Inge Jaehner, eds. Remarques Impressionisten: Kunstsammeln und Kunsthandel im Exil / Remarque's Impressionists: Art Collecting and Art Dealing in Exile. Göttingen and Bristol: Vandenhoeck & Ruprecht, 2013, pp. 228-29, no. 27, ill.
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 145, fig. 94 (cat. 19).
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 230, fig. 157, dated 1900–06.
France-Lanord, Hadrien. La couleur et la parole: les chemins de Paul Cézanne et de Martin Heidegger. Paris: Gallimard, 2018, ill. p. 232, as La Montagne Sainte-Victoire vue des Lauves en hiver.
Record last updated November 30, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "La Montagne Sainte-Victoire vue des Lauves en hiver, 1901–06 (FWN 1476)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=1567 (accessed on February 7, 2023).