The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 1972
Nature morte avec grenades, carafe, sucrier, bouteille et pastèque
1900–06
Alternate titles: Naturaleza muerta con frutas, garrafa, azucarero y botella; Nature morte à la carafe; Nature morte avec fruits, carafe, sucrier et bouteille; Still Life with Fruit, Carafe, Sugar Bowl, and Bottle
Rewald (W562); Venturi revised: 1900–05
Graphite and watercolor on paper
Watermark: MONTGOLFIER
12 1/2 x 17 1/16 in. (31.8 x 43.4 cm)
Vollard W stockbook: no. 1982, nature morte; aquarelle, 32 x 42 (2,500)
Provenance
Exhibition History
Palais de Tokyo, musée d'Art et d'Essai, Paris, Nouvelles acquisitions du musée d'Orsay 1980-1983, November 28, 1983–September 1984, no. 91, ill., as Nature morte à la carafe.
Grand Palais, Paris, Anciens et Nouveaux: Choix d'oeuvres acquises par l'état ou avec sa participation de 1981 à 1985, November 5, 1985–February 3, 1986, no. 130, ill., as Nature morte avec grenades, carafe, sucrier, bouteille et pastèque (with erroneous accession no.)
Grand Palais, Paris, Cézanne, September 26, 1995–January 14, 1996, no. 196, ill. in color, p. 459, as Nature morte avec fruits, carafe, sucrier et bouteille, 1900-1906, lent by Musée d'Orsay, Paris, shown in Philadelphia only. Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 49, ill., as Nature morte avec grenades, carafe, sucrier, bouteille et pastèque, 1900-06, lent by Musée d'Orsay; shown in Zurich only. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
The J. Paul Getty Museum, Los Angeles, Cézanne in the Studio: Still Life in Watercolor, October 12, 2004–January 2, 2005, pl. 18, as Still Life with Fruit, Carafe, Sugar Bowl, and Bottle.
Musée du Louvre - Salle de la Chapelle, Paris, Le papier à l'œuvre, June 9–September 5, 2011, no. 49, ill., as Nature morte avec grenades, carafe, sucrier, bouteille et pastèque, c. 1898-1900.
Musée de l'Orangerie, Paris, Les archives de rêve. Dessins du musée d'Orsay – Carte blanche à Werner Spies, March 25–June 30, 2014, p. 331 and 421, ill., as Nature morte avec grenades, carafe, sucrier, bouteille et pastèque, 1896-1916 (Vienna ed.of cat.: p. 255 and 332, ill.) Traveled to: Albertina, Vienna, January 30–May 3, 2015 (Archiv der Träume. Meisterwerke aus dem Musée d'Orsay).
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 207, Musée d'Orsay, Paris.
Published References
Venturi, Lionello. Paul Cézanne: Water-colours. Oxford: B. Cassirer, 1943, p. 31, no.18, ill. (dated 1894-1900).
Rubin, William, ed. Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, pl. 177.
Colli, Luisa Martina. "Getto, soggetto ed esperienza nella lettura matissiana di Cézanne." In Cézanne e le avanguardie, Ponente, Nello, ed. Rome: Officina Edizioni, 1981, fig. 9.
Prat, Véronique. "Extrait du romain d'un collectionneur [Jacques Dubourg]." Connaissance des Arts (Paris) December (1981), p. 102, ill. in color, as Nature morte à la carafe.
Müller, Joseph-Emile. Cézanne. Translated by Jane Brenton. Paris: Fernand Hazan, 1982, pl. 52.
Catalogue sommaire illustré des nouvelles acquisitions du Musée d’Orsay: 1980-1983. Lacambre, Geneviève et Thiébaut Philippe, publication directors, coordination. Paris: Editions de la Réunion des musées nationaux, 1983, p. 34, no. 91, ill., as Nature morte à la carafe, c. 1900-1906.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 562, ill.
Berger, John. "¿Cómo aparecen las cosas? O carta abierta a Marisa." translated by Pilar Vázquez. Arte y Parte: revista de arte (Madrid) 26 (April-May 2000), ill. p. 44, as Naturaleza muerta con frutas, garrafa, azucarero y botella.
Machotka, Pavel. Cézanne: The Eye and the Mind, 2 vols. Marseille: Editions Crès, 2008, vol. 1, fig., 398; vol. 2, p. 250, as Nature morte avec grenades, carafe, sucrier, bouteille et pastèque.
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 140, fig. 97.
The Metropolitan Museum of Art. Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection - New Edition. Stein, Susan Alyson and Asher Ethan Miller. New York: The Metropolitan Museum of Art; New Haven: Yale University Press, 2009, fig. 120, ill. p. 164.
André, Louis. "Les papiers à dessin, XIXe-XXe siècles." In Le papier à l'œuvre. Vanves : Hazan, Paris : Louvre, 2011. Exhibition catalogue, fig. 5 (detail with watermark) p. 93.
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 297, fig. 213.
Record last updated February 20, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Nature morte avec grenades, carafe, sucrier, bouteille et pastèque, 1900–06 (FWN 1972)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1544 (accessed on September 10, 2024).