The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
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© Dallas Museum of Art, The Wendy and Emery Reves Collection 1985.R.12
FWN 1968
Pommes avec bouteille, pichet et pot bleu
1900–06
Alternate titles: Apples on a Dresser; Nature morte; Nature morte au pichet et à la carafe; Nature morte or Pommes sur un dressoir; Nature morte. Pommes sur un dressoir; Pommes sur un dressoir; Still Life with Apples on a Sideboard; Still Life: Apples on a Sideboard
Rewald (W554); Venturi revised: 1900–05; Venturi (1142): 1900–06; Rivière: c.1900
Graphite and watercolor on paper
18 7/8 x 24 3/8 in. (48 x 62 cm)
Provenance
Exhibition History
Galerie Bernheim-Jeune, Paris, Les aquarelles de Cézanne, June 17–29, 1907, as Nature morte.
Paul Cassirer, Berlin, X. Jahrgang, 1907/1908, I. Ausstellung, September 30–October 18, 1907, no. ?
Kunsthaus Zürich, Zurich, Französische Kunst des XIX. und XX. Jahrhunderts, October 5–November 14, 1917, no. 25, lent by Jos. Hessel.
Arthur Tooth & Sons, London, "La Flèche d'or": a loan exhibition of pictures from private collections in Paris., May 8–June 1, 1935, no. 2, ill.
Galerie Bernheim-Jeune, Paris, Fleurs et Natures Mortes, October 7–November 1, 1935.
Musée de l'Orangerie, Paris, Cézanne, May 20–October 11, 1936, no. 135, ill., as Nature morte, c. 1902-06, lent by Ivor Spencer Churchill, London.
Kunsthalle, Basel, Switzerland, Paul Cézanne, August 30–October 12, 1936, no. 92, ill. in b/w, as Pommes sur un dressoir, after 1900, lent by Lord Ivor Spencer Churchill, London.
Tate Gallery, London, Paul Cézanne: an Exhibition of Watercolours, opening on April 10, 1946, no. 27, as Apples on a Dresser, 1900-1906, lent by A. Zwemmer. Traveled to: Museum and Art Gallery, Leicester, United Kingdom, May–June 1946; Graves Art Gallery, Sheffield, United Kingdom, July 1946.
The Art Institute of Chicago, Chicago, Cézanne: Paintings, Watercolors & Drawings, A Loan Exhibition, February 7–March 16, 1952, no. 123, ill., as Still Life: Apples on a Sideboard, 1900-06, lent by Mr. A. Zwemmer, London. Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Grand Palais, Paris, Cézanne: Les dernières années (1895–1906), April 20–July 23, 1978, no. 31, ill. in b/w, as Nature morte. Pommes sur un dressoir, 1900-06, lent by Private collection.
Dallas Museum of Art, Dallas, Impressionist and Modern Masters in Dallas: Monet to Mondrian, September 3–October 22, 1989, [D] 12, ill., as Still Life with Apples on a Sideboard, dated 1902–06.
The J. Paul Getty Museum, Los Angeles, Cézanne in the Studio: Still Life in Watercolor, October 12, 2004–January 2, 2005, pl. 17, as Still Life with Apples on a Sideboard, 1902-06.
Dallas Museum of Art, Dallas, Mind's Eye: Masterworks on Paper from David to Cézanne, June 29–October 26, 2014, no. 70, ill., as Still Life with Apples on a Sideboard, lent by Dallas Museum of Art.
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 215, Dallas Museum of Art.
The Art Institute of Chicago, Chicago, Cezanne, May 15–September 5, 2022, no. 70, ill. shown in London only. Traveled to: Tate Modern, London, October 6, 2022–March 12, 2023.
Published References
Bernheim-Jeune, ed. L'Art moderne et quelques aspects de l'art d'autrefois: cent-soixante-treize planches d'après la collection privée de MM. J. & G. Bernheim-Jeune, poèmes de Henri de Régnier , 2 vols. Paris: Bernheim-Jeune, 1919, pl. 42.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 1142, ill. vol. II, as Pommes sur un dressoir.
Schmidt, Georg. Aquarelle von Paul Cézanne. Mit zweiundreissig vielfarbigen Tafeln. Basel: Holbein-Verlag, 1952, fig. 26.
Rubin, William, ed. Cézanne: The Late Work. New York: The Museum of Modern Art, 1977. Exhibition catalogue, pl. 174.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 554, ill.
Dallas Museum of Art. The Wendy and Emery Reves Collection. Dallas: Dallas Museum of Art, 1985, p. 132, ill.
Rewald, John. Cézanne: A Biography. New York: Harry N. Abrams, 1986, p. 253, ill., as Nature morte. Pommes sur un dressoir, 1902-1906.
Brettell, Richard. Impressionist Paintings, Drawings and Sculpture from the Wendy and Emery Reves Collection. Dallas Museum of Art, 1995, pp. 130–31, ill.
Echte, Bernhard and Feilchenfeldt, Walter. "Kollektionen Paul Cézanne, Curt Herrmann, Henri Matisse, Edvard Munch: 30. September bis 18. Oktober 1907." Kunstsalon Cassirer: Die Ausstellungen 1905-1908. vol. 3, "Den Sinnen ein magischer Rausch". Wädenswil: Nimbus, 2013, p. 502, ill.
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 299, fig. 215.
Eiling, Alexander, Anett Göthe, Astrid Reuter, Bettina Kaufmann, Eva-Maria Höllerer, Juliane Betz and Julia Lachenmann. "Catalog." In Cézanne Metamorphoses. Munich and Karlsruhe: Prestel and Staatliche Kunsthalle Karlsruhe, 2017. Exhibition catalogue, p. 323 fig. 1.
Marchesseau, Daniel. Paul Cezanne, Le chant de la terre. Martigny: Fondation Pierre Gianadda, 2017. Exhibition catalogue, p. 258, ill.
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 291, ill. installation photograph from1935 exhibition, p. 133.
Nagaï, Takanori. Truth in Panting: The Meaning of Cezanne's Practices for Modernizing Society. Tokyo: Sangesha Publishers Inc., 2022, pl. 33.
Record last updated January 19, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Pommes avec bouteille, pichet et pot bleu, 1900–06 (FWN 1968)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1536 (accessed on December 4, 2024).
