The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
FWN 1462
Broussailles
1900–04
Alternate titles: Arbres; Arbres sous la tempête; Arbres sous la tempête - Broussailles; Les arbres
Rewald (W536); Venturi revised: 1900–06; Venturi (1553): c.1900
Watercolor and graphite on wove paper
12 1/4 x 19 5/16 in. (31.2 x 49.1 cm)
Provenance
Exhibition History
Thos. Agnew & Sons, London, Water-Colour and Pencil Drawings by Cézanne, July 1936, no. 6, as Les arbres, lent by Mme Paul Guillaume.
Valentine [Dudensing] Gallery, New York, Cézanne watercolors, Renoir drawings, January 4–30, 1937, no. 22?, as Arbres.
San Francisco Museum of Art, San Francisco, Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints, September 1–October 4, 1937, no. 49, ill., as Arbres sous la tempête, c. 1900, lent by Valentine [Dudensing] Gallery - probably on consignment from Vollard.
The Baltimore Museum, Baltimore, Anonymous Collection [Pearlman Collection], July–September 1958, no. 9.
Fogg Art Museum, Cambridge, Massachusetts, Drawings, Watercolors and Oils by Paul Cézanne, Lent by an Anonymous Collector, July 1–September 1, 1959, no. 13.
Knoedler Galleries, New York, A loan exhibition of Paintings, Watercolors and Sculpture from the Collection of Mr. and Mrs. Henry Pearlman for the benefit of Greenwich House, January 27–February 21, 1959, no. 28, ill. in b/w, as Arbres sous la tempête, c.1900.
Knoedler Galleries, New York, Cézanne Watercolors, April 2–20, 1963, no. 54, pl. L, as Arbres sous la tempête, c. 1900, lent by Mr. and Mrs. Henry Pearlman, New York.
Solomon R. Guggenheim Museum, New York, Cézanne and Structure in Modern Painting, June–August 1963.
Brooklyn Museum, Brooklyn, New York, The Pearlman Collection, May 22–October 15, 1964, no. 11.
Munson-Williams-Proctor Arts Institute, Utica, New York, Watercolors by Paul Cézanne from the Collection of Mr. and Mrs. Henry Pearlman, 1965, no. 5.
Detroit Institute of Arts, Detroit, Cézanne and His Contemporaries: The Mr. and Mrs. Henry Pearlman Collection, June 14–October 1, 1967, no. 14, ill.
Pasadena Art Museum, Pasadena, Cézanne watercolors, November 10–December 10, 1967, no. 32, ill.
The Metropolitan Museum of Art, New York, New York Collects, July 3–September 2, 1968, no. 9.
Wadsworth Atheneum, Hartford, Connecticut, Impressionism, Post-Impressionism, Expressionism: The Mr. & Mrs. Henry Pearlman Collection of Works, June 10–October 4, 1970, no. 16.
Phillips Collection, Washington, D.C., Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection, February 27–March 28, 1971, hors catalogue, shown in Boston only. Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
The Metropolitan Museum of Art, New York, Summer Loan 1971: Paintings from New York Collections: Collection of Mr. and Mrs. Henry Pearlman and the Henry and Rose Pearlman Foundation, July 13–September 7, 1971, no. 13.
Paul Rosenberg & Co, New York, Sixteen watercolors by Cezanne on loan from the collection of Mr. and Mrs. Henry Pearlman, October 16–November 16, 1973, no. 10, ill.
Brooklyn Museum, Brooklyn, New York, Paintings, Watercolors, Sculptures and Drawings from the Collection of Mr. and Mrs. Henry Pearlman, May 22–September 29, 1974, no. 41, ill. Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
Princeton University Art Museum, Princeton, Cézanne Watercolors and Prints, September 25–October 16, 1977, no number listed.
Princeton University Art Museum, Princeton, Cézanne Watercolors from the Pearlman Collection, April 21–June 24, 1981, no number listed.
Princeton University Art Museum, Princeton, Cézanne: Paintings, Watercolors, Drawings, and Prints from the Henry and Rose Pearlman Foundation and the Collection of Mrs. Rose Pearlman, September 22–November 4, 1984, no number listed.
Princeton University Art Museum, Princeton, Cézanne in the Collection of the Henry and Rose Pearlman Foundation and the Collection of Mrs. Rose Pearlman, February 1–April 5, 1992, no number listed.
Kunstforum, Vienna, Cézanne: Vollendet unvollendet, January 20–April 25, 2000, no. 104, ill., as Arbres sous la tempête - Broussailles, 1900-04, lent by The Henry and Rose Pearlman Foundation. Traveled to: Kunsthaus, Zürich, May 5–August 13, 2000 (initially planned to end on July 30 the exhibition was extended until August 13).
Art Gallery of New South Wales, Sydney, Paths to Abstraction, 1867-1917, June 26–September 19, 2000.
Princeton University Art Museum, Princeton, New Jersey, Cézanne in focus : watercolors from the Henry and Rose Pearlman Collection, October 19, 2002–January 12, 2003. (Exhibition catalogue: Simms 2002), no. 10, ill.
Ashmolean Museum, University of Oxford, Oxford, United Kingdom, Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection, March 13–June 22, 2014, no. 18, ill. c. 1900-04. Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
Princeton University Art Museum, Princeton, New Jersey, Landscapes Behind Cézanne, February 24–May 20, 2018.
Published References
Loran, Erle. "San Fransisco's First Cézanne Show." Magazine of Art 30, no. 10 (October 1937), p. 634, ill.
H.L.F. "Pearlman Collection: Taste with a Reverse Twist." ARTNews 10 (February 1959), p. 47, ill.
[Portfolio of] Watercolors by Cézanne from the Collection of Mr. and Mrs. Henry Pearlman. Utica, 1965, ill.
[Portfolio of] Watercolors by Cézanne from the Collection of Mr. and Mrs. Henry Pearlman. Utica: Munson-William-Proctor Institute, 1972.
Evett, Kenneth. "Pollock-Cézanne." New Republic, vol. 170, no. 3081, 26 January 1974, p. 24, ill.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 536, ill.
Breidbach, Angela. Anschauungsraum bei Cézanne. Cézanne und Helmholtz. Munich: Wilhelm Fink, 2003, p. 121, ill.
Simms, Matthew. "Painting on Drawing and Cézanne's Watercolors." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 171, fig. 112 (cat. 18).
Chédeville, François, and Raymond Hurtu. "Cezanne sur les bords de Marne." Société Cezanne, August 2021, fig. 360.
Record last updated January 6, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Broussailles, 1900–04 (FWN 1462)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1518 (accessed on May 1, 2024).
