The Paintings, Watercolors and Drawings of Paul Cezanne
Maison en Provence
Alternate titles: Das Haus Cezannes; House in Provence; Huis in Provence; Les Jas de Bouffon [sic]; Maison et arbres; Maison provençale; Villa im Park
Rewald: (W389); Venturi revised: 1886–88; Venturi: (958) 1890–94
Graphite and watercolor on wove paper
17 3/16 x 21 1/4 in. (43.7 x 54 cm)
Traveled to: Galerie Flechtheim, Düsseldorf, Germany, January 12 – end February 1930.
Traveled to: The Metropolitan Museum of Art, New York, April 1–May 16, 1952.
Traveled to: Musee de l'Orangerie, Paris, October 1958–January 1959; Metropolitan Museum of Art, New York, February 3–March 15, 1959.
Traveled to: The Art Institute of Chicago, Chicago, April 17–May 16, 1971; Museum of Fine Arts, Boston, June 1–July 3, 1971.
Traveled to: Princeton University Art Museum, Princeton, New Jersey, December 8, 1974–March 14, 1975; Munson-Williams-Proctor Institute, Utica, New York, April 13–August 31, 1975; Francine and Sterling Clark Institute, Williamstown, Massachusetts, September 26, 1975–February 22, 1976; Carnegie Institute, Pittsburgh, April 6–May 30, 1976.
Traveled to: Tate Gallery, London, February 8–April 28, 1996; Philadelphia Museum of Art, Philadelphia, May 26–September 1, 1996.
(Exhibition catalogue: Simms 2002), no. 5, ill.
Traveled to: Musée Granet, Aix-en-Provence, France, July 11–October 5, 2014; High Museum of Art, Atlanta, October 25, 2014–January 11, 2015; Vancouver Art Gallery, Vancouver, Canada, February 7–May 18, 2015; Princeton University Art Museum, Princeton, New Jersey, September 12, 2015–January 3, 2016.
Raphael, Max. Von Monet zu Picasso. Munich: Delphin-Verlag, 1913, pl. 13.
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 4 p. 22.
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 65, fig. 32, pl. XXII.
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 958, ill. vol. II, as Maison provençale.
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 65, pl. XXII fig. 32, as Pencil and Wash Drawing.
Neumeyer, Alfred. Cézanne's Drawings. New York and London: Thomas Yoseloff, 1958, no. 82.
Göpel, Barbara and Erhard. Leben und Meinungen des Malers Hans Purrmann. Wiesbaden: Limes-Verlag, 1961, pl. 35.
[Portfolio of] Watercolors by Cézanne from the Collection of Mr. and Mrs. Henry Pearlman. Utica, 1965, no. 32.
Novotny, Fritz. Über das "Elementare" in der Kunstgeschichte und andere Aufsätze. Vienna: Verlag Brüder Rosenbaum, 1968, pp. 29, 87, fig. 11 p. 150.
Leymarie, Jean. Dessins impressionistes De Manet à Renoir. Geneva: Éditions d'Art Albert Skira, 1969, p. 94, ill. c. 1894.
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 389, ill.
Simms, Matthew. "Cézanne, Painting, and Harmony." In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. Princeton: Princeton University Art Museum; New Haven: Yale University Press, 2014. Exhibition catalogue, p. 145, fig. 92 (cat. 9).
Record last updated July 22, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Maison en Provence, 1890–94 (FWN 1317)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. https://www.cezannecatalogue.com/catalogue/entry.php?id=1370 (accessed on October 6, 2022).