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Catalogue entry

FWN 1812
Le Punch au rhum
1866–67
Alternate titles: Der Rumpunsch; Der Rumpunsch (Le punch au rhum); L'Après-midi à Naples; Nachmittag in Neapel oder Rumpunsch; Une Nuit à Venise ou Le Punch au rhum
Rewald (W34); Venturi revised: circa 1871; Venturi (820): 1870–72
Graphite, watercolor, and gouache on cardboard
4 5/16 x 5 13/16 in. (11 x 14.8 cm)
Private collection

Keywords

Provenance
Paul Cézanne fils, Paris
Gaston Bernheim de Villers, Paris
Yvonne Printemps, Paris;
Estate of Yvonne Printemps, Loudmer, Paris, Dec. 17, 1977, no. 125, ill.
Private collection
Exhibition History
1914a Paris
Galerie Bernheim-Jeune, Paris, Paul Cézanne, January 6–17, 1914, no. 27, as Une Nuit à Venise ou Le Punch au rhum.
1982 Tübingen and traveling
Kunsthalle Tübingen, Tübingen, Paul Cézanne Aquarelle, January 16–March 21, 1982, no. 2, ill., as Der Rumpunsch (Le punch au rhum), 1866-67, lent by Private collection. Traveled to: Kunsthaus, Zürich, April 2–May 31, 1982.
1988–89a London and traveling
Royal Academy of Arts, London, Cézanne: The Early Years 1859–1872, April 22–August 21, 1988, no. 67, ill., as Le Punch au rhum, c. 1867, shown in London and Washington, D.C. only ? Traveled to: Musée d'Orsay, Cézanne: les années de jeunesse 1859-1872, Paris, September 19, 1988–January 1, 1989; National Gallery of Art, Washington, D.C., January 29–April 30, 1989.
2005 Tübingen
Kunsthalle Tübingen, Tübingen, Germany, Bordell und Boudoir. Schauplätze der Moderne: Cézanne, Degas, Toulouse-Lautrec, Picasso, January 22–May 22, 2005, no. 10, ill. 63, as Der Rumpunsch, 1865-67.
2011–12 Tübingen
Kunsthalle Tübingen, Tübingen, Germany, Cézanne, Renoir, Picasso & Co., September 17, 2011–January 29, 2012, listed p. 282, ill. p. 52, as Der Rumpunsch, lent by Private collection.
2021a New York
Museum of Modern Art, New York, Cézanne Drawing, June 6–September 25, 2021, pl. 41, Adriani Foundation.
Published References
Bernheim-Jeune 1914
Bernheim-Jeune, ed. Cézanne. With contributions by O. Mirbeau, T. Duret, L. Werth, et al. Paris: Editions Hollande, 1914, pl. XV.
Rivière 1923
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 201, listed, as Une Nuit à Venise ou Le Punch au rhum.
Fry 1927a
Fry, Roger. Cézanne: A Study of His Development. New York: Macmillan, 1927, p. 29, fig. 14, pl. VIII.
Raynal 1936
Raynal, Maurice. Cézanne. Paris: Editions de Cluny, 1936, pl. XIX p. 46.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 820, ill. vol. II, as Le Punch au rhum.
Novotny 1937
Novotny, Fritz. Cézanne. Vienna: Phaidon, 1937, pl. 95.
Nicodemi 1944
Nicodemi, Giogio. Cézanne: 76 Disegni. Milan: Görlich, 1944, no. 6, ill.
Fry 1952
Fry, Roger. Cézanne: A Study of his Developement. London: Hogarth Press, 1952, p. 29, pl. VIII fig. 14, as L'Après-midi à Naples.
Lichtenstein 1966
Lichtenstein, Sara. "Unpublished Portrait of Delacroix, and Some Figure Sketches, by Cézanne." Master Drawings, vol. 4, no. 1 (1966), p. 45 note 9.
Schapiro 1968
Schapiro, Meyer. "The Apples of Cézanne: An Essay on the Meaning of Still-Life." Art News Annual 34 (1968), p. 39.
Lindsay 1969b
Lindsay, Jack. Cézanne: His Life and Work. London: Evelyn, Adams & Mackay, 1969, fig. 85.
Adriani 1978a
Adriani, Götz. Paul Cézanne. Zeichnungen. Cologne: DuMont, 1978. Exhibition catalogue, p. 28, ill. p. 29, as Nachmittag in Neapel oder Rumpunsch, Private collection, Stuttgart.
Schapiro 1978c
Schapiro, Meyer. "The Apples of Cézanne: An Essay on the Meaning of Still-Life." In Modern Art: Selected Papers. New York: George Braziller, 1978, p. 10 (mentioned).
Adriani 1980
Adriani, Götz. Paul Cézanne: 'Der Liebeskampf'. Munich: Piper, 1980, p. 10, pl. 1.
Rewald 1983a
Rewald, John. Paul Cézanne: The Watercolors, A Catalogue Raisonné. Boston: Little, Brown; London: Thames & Hudson, 1983, no. 34, ill. and color pl. 12.
Lévêque 1988
Lévêque, Jean Jacques. La Vie et l'oeuvre de Paul Cézanne. Courbevoie: ACR, 1988, p. 52, ill. in color.
Krumrine 1989b
Krumrine, Mary Louise. "Paul Cézanne: The Bathers." In Paul Cézanne: The Bathers. Basel: Museum of Fine Arts, 1989. Exhibition catalogue, ill. 67 p. 103.
Bonafoux 1995
Bonafoux, Pascal. Cézanne: portrait. Paris: Editions Hazan, 1995, p. 166, ill.
Platzman 2001
Platzman, Steven. Cézanne: The Self-Portraits. Berkeley: University of California, 2001, p. 59, ill.
Ballas 2002
Ballas, Guila. Cézanne: baigneuses et baigneurs: thème et composition. Paris: Adam Biro, 2002, p. 310, no. 266, ill.
Lebensztejn 2006
Lebensztejn, Jean-Claude. Études cézanniennes. Paris: Flammarion, 2006, p. 11, fig. 3.
Simms 2008
Simms, Matthew. Cézanne's watercolors: between drawing and painting. New Haven and London: Yale University Press, 2008, p. 16, fig. 6.
Lloyd 2015
Lloyd, Christopher. Paul Cézanne, Drawings and Watercolors. London and Los Angeles: Thames & Hudson and John Paul Getty Museum, 2015, p. 84, fig. 43.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 420, ill., as Une Nuit à Venise ou Le Punch au rhum.
Notes

This watercolor is probably a study for the painting of the same subject (FWN587), now lost, and rejected by the1867 Salon jury.

Related work

Record last updated September 20, 2022. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Le Punch au rhum, 1866–67 (FWN 1812), on cardboard." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=1011 (accessed on March 28, 2024).