Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

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work by other artists
Eugène Delacroix, Apollon vainqueur du serpent Python (Apollo killing the Python snake) central panel of the ceiling of the Galerie d'Apollon, Musée du Louvre.
work by other artists
Portrait of the painter Juan Fernando de Navarrete (1526-79), known as El Mundo, wood engraving in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [55]
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
Feuille d'études, 1875–78, ca. 1880, ca. 1873 (2257)
work by other artists
Augustin Pajou, Psyché abandonnée (Psyche Abandoned), 1790, marble, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
work by other artists
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
work by other artists
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
work by other artists
Eugène Delacroix, Le lever, oil on canvas, former collection Mme et M. David-Weill.
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Portrait of the painter Francisco de Goya y Lucientes, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [266], after an etching of Goya's self-portrait, plate 1 of Los Caprichos.
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Marcantonio Raimondi, La Cassolette, engraving after Raphael, V&A's collections, London.
Victoria and Albert Museum, London
Feuille d'études, c.1879 (2293)
work by other artists
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
work by other artists
After Pedro de Moya, Vision of Saint Mary Magdalene de Pazzi, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [179].
work by other artists
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
work by other artists
Roman copy, 2nd century AD, after a Greek original of the 2nd century BC, Centaure âgé tourmenté par Eros (Cupidon), dieu de l’amour (Old Centaur teased by Eros) , marble, Musée du Louvre, Paris.
Jastrow (2006)
work by other artists
Eugène Delacroix, Jeunes filles de Sparte s'exerçant à la lutte, Musée du Louvre, Paris.
RMN
work by other artists
Eugène Delacroix, Etudes de jeunes filles luttant, et personnage fouettant un enfant, Musée du Louvre, Paris.
RMN
work by other artists
Francisco de Goya y Lucientes, No se puede mirar (One can’t look), plate 26 in the series Los Desastres de la Guerra (The Disasters of War), 1810-20, etching.
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Eugène Delacroix, Daniel dans la fosse aux lions (Daniel in the Lion's Den), oil o canvas, Musée Fabre, Montpellier.
D'après Delacroix: Daniel, c.1890 (3000-05a)
work by other artists
After Michelangelo, A Crouching Boy , plaster cast, Victoria and Albert Museum, London.
Victoria and Albert Museum, London
work by other artists
Paulus Potter, Deux chevaux de trait devant une chaumière, huile sur bois, Musée du Louvre.
Daniel Arnaudet / Jean Schormans; 1987 Photo RMN
work by other artists
Engraving after Paul Potter, published in Charles Blanc, Ecole hollandaise, Paris, 1861, p. 13. Cezanne executed this drawing after the engraving.
work by other artists
Michelangelo, Crouching Boy , marble, State Hermitage, St. Petersburg.
work by other artists
2nd century AD, Bacchus, marble, Musée du Louvre, Paris.
D'après l'antique: Bacchus, 1882–85 (3002-01a)
work by other artists
Augustin Pajou, Jeanne Bécu, comtesse Du Barry (1743-1793, marble, Musée du Louvre, Paris.
D'après Pajou: Madame du Barry, 1892–95 (3002-01b)
work by other artists
Thomas Couture, Romains de la décadence (The Romans of the Decadence), oil on canvas, Musée d'Orsay, Paris.
work by other artists
Etude pour Léda, c.1882 (3002-06a)
work by other artists
Peter Paul Rubens, La Naissance du dauphin (futur Louis XIII) à Fontainebleau, le 27 septembre 1601 (Birth of Louis XIII), from the Medici cycle, Musée du Louvre, Paris.
work by other artists
Charles-Antoine Coysevox, Berger flûteur (Faun Playing a Flute), marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Pierre Puget, Milon de Crotone, marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Greek, c. 100 BC, Aphrodite, dite Vénus de Milo (The Venus of Milo), marble, Musée du Louvre, Paris.
work by other artists
Hellenistic Art (3rd-1st centuries BC), Marsyas supplicié (The Torment of Marsyas), marble, Musée du Louvre, Paris.
Musée du Louvre
D'après l'antique: Marsyas, 1882–85 (3002-34b)
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Roman copy, 1st or 2nd century AD, after a Greek original in bronze, c. 300 BC, Silène portant Dionysos enfant (Bacchus), fils de Zeus, marble, Musée du Louvre, Paris.
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
D'après Rubens: Bellone, 1883–86 (3002-13b-TA)
work by other artists
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Caillot, Trocadero.
D'après Puget: Atlas, 1886–89 (3002-15a)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
D'après B. da Maiano: Filippo Strozzi, 1882 or later (3002-23b)
work by other artists
Germain Pilon, Monument du coeur d'Henri II, marble, Musée du Louvre, Paris.
Pierre Philibert; Musée du Louvre
work by other artists
Pierre Puget, Milon de Crotone, marble, Musée du Louvre, Paris.
work by other artists
Antoine-Louis Barye, Lion and Serpent, bronze, Musée du Louvre, Paris.
Thierry Ollivier; Musée du Louvre
work by other artists
Roman 2nd century AD, Hermès (Mercure), dit Hermès Richelieu (Hermes Richelieu), marble, condition before restauration, Musée du Louvre, Paris.
Fragment de sculpture, after 1882 (3002-41b)
work by other artists
Alonso Cano, Cristo muerto sostenido por un ángel (The Dead Christ Supported by an Angel), Museo del Prado, Madrid. Cezanne probably knew this work from a wood-engraved reproduction in Charles Blanc's 1869 Histoire des peintres de toutes les écoles: Ecole espagnole.
work by other artists
Pierre Puget, Atlas, (detail).
D'après Puget: Atlas, 1886–89 (3002-15a)
postcard
Postcard, Hôtel de Ville, Toulon.
D'après Puget: Atlas, 1886–89 (3002-15a)
work by other artists
Dominique Lefèbvre after Michel Anguier, Mercure, marble, Musée du Louvre, Paris.
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1889–92 (3002-28b)
work by other artists
Marcantonio Raimondi, after RaphaelThe Judgment of Paris, engraving.
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Modern copy of the sculpture in the Louvre.
work by other artists
Modern study of Jean-Antoine Houdon's Ecorché by Avishek Banerjee.
Avishek Banerjee
D'après Houdon: l'Ecorché, 1894–98 (3002-33b)
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Stéphane Maréchalle; 2010 RMN
work by other artists
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.
Roman, 212 AD, L'empereur Caracalla, marble, Musée du Louvre, Paris.; RMN-Grand Palais (Musée du Louvre)
work by other artists
Charles Lefèbvre, Portrait d'homme (detail), oil on canvas, Musée du Louvre, Paris.
work by other artists
2nd century AD, Bacchus, marble, Musée du Louvre, Paris.
Jastrow
D'après l'antique: Bacchus, 1882–85 (3002-01a)
work by other artists
Claude-Joseph Vernet, Le matin: les baigneuses (Women Bathers), oil on canvas, Musée du Louvre, Paris.
Michel Urtado; RMN-Grand Palais (Musée du Louvre)
work by other artists
2nd century AD, after a Greek original c. 330 BC, Artémis, déesse de la chasse, dite "Diane de Versailles", marble, Musée du Louvre, Paris. Probably a replica in the Luxemburg Gardens, Paris, was the model for Cezanne's study.
Thierry Olivier; Musée du Louvre
work by other artists
Antonin Mercié, David, bronze, Musée d'Orsay, Paris.
D'après Mercié: David, 1879–82 (3003-03a)
work by other artists
Luca Signorelli, Homme nu entourant les épaules d'un autre homme avec son bras gauche (Study of two standing men), black stone on paper, Musée du Louvre, Paris.
results 301 to 360 of 616   //   per page
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on June 19, 2019).