Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites continue to be photographed in color by colleagues and published in books and on the website of the Société Paul Cezanne. They, too, will be added to the catalogue as soon as they are made available.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

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work by other artists
Auguste Clot, Le Déjeuner sur l'herbe, after Cézanne. Lithograph
Le Déjeuner sur l'herbe, 1878–80 (655-TA)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, 1885–90 (665)
work by other artists
Eugène Delacroix, Le lever, oil on canvas, former collection Mme et M. David-Weill.
La Toilette, 1885–90 (665)
work by other artists
Adriaen van Ostade, La Famille, 1647. Eetching
work by other artists
Anonymous after Michelango (attributed), Écorché, dit de Michel-Ange, 16th century, plaster cast, École nationale supérieure des beaux-arts, Paris. Cezanne had a modern reproduction in his Lauves studio.
Jean-Michel Lapelerie; École nationale supérieure des beaux-arts
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, c.1900 (695)
work by other artists
Eugène Delacroix, Le lever, oil on canvas, former collection Mme et M. David-Weill.
La Toilette, c.1900 (695)
work by other artists
Rembrandt van Rijn, The Flayed Ox, 1655. Musée du Louvre, Paris
work by other artists
Camille Pissarro, Still Life with Wine Carafe, 1867. Toledo Museum of Art, Toledo, Ohio
work by other artists
Paul van Ryssel, Pivoines. 38 x 46.5 cm. Musée d'Orsay, Paris
musée d'Orsay/rmn
Fleurs et Fruits, 1872–73 (714)
work by other artists
Armand Guillaumin, Nature morte: fleurs, faience et livres, dated July 1872, Musée d'Orsay; same fabric on table
Bouquet au dahlia jaune, 1872–73 (718)
work by other artists
Camille Pissarro, Rue de Gisors, la maison du père Gallien, Pontoise, 1873. Private collection, U.S.A.
work by other artists
Camille Pissarro, Portrait de Paul Cézanne, 1874. National Gallery, London (On loan from Laurence Graff OBE)
work by other artists
Camille Pissarro, Bouquet de Pivoines, 1873 (Ashmolean)
work by other artists
Verso of the paravent (no. 560). Cézanne painted into the background of this still life a lower portion of the fourth panel from the left
Le Plat de pommes, c.1877 (possibly later) (742)
work by other artists
Morgan Russell, Three Apples, 1910. Museum of Modern Art, NY
Cinq pommes, 1877–78 (756)
work by other artists
Maurice Denis, Hommage à Cézanne, 1900-01, Musée d'Orsay
Nature morte au compotier, 1879–80 (780)
work by other artists
Paul Gauguin, Portrait of a Woman, 1890 (Art Institute of Chicago)
Nature morte au compotier, 1879–80 (780)
work by other artists
Henri Matisse, "Peaches and Leaves" after Cézanne, 1914, charcoal on paper (Metropolitan Museum of Art, NY)
Fruits et feuillages, c.1890 (?) (816-TA)
historical photography
Cézanne fils standing in front of Nature morte, 1892–94 and Bosquet au Jas de Bouffan, c.1871; he sold the still life in order to pay for his daughter Aline's wedding
Nature morte, 1892–94 (842)
work by other artists
Gustave Courbet, Les Baigneuses, 1853. Musée Fabre, Montpellier
Le Baigneur au rocher, 1867–69 (possibly earlier) (900)
work by other artists
Henry Moore, Three Bathers – After Cézanne, 1978. Bronze.
Trois baigneuses, c.1875 (920)
work by other artists
Pierre Bonnard, Portrait of Vollard, c. 1904-05. Kunsthaus Zürich
Quatre baigneuses, 1877–78 (938)
work by other artists
Edouard Vuillard, Le Salon Hessel, rue de Rivoli, 1901
Cinq baigneuses, 1877–78 (941)
historical photography
Cézanne seated in front of this painting in his Lauves studio, 1904.
Emile Bernard
Grandes baigneuses, 1895–1906 (980)
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Le manoir du Jas de Bouffan, c.1870 (possibly later) (1018)
site photography
postcard
Postcard view of Restaurant Mistral
work by other artists
Paul Gauguin, Chou Quarries at Pontoise II, 1882. National Gallery of Canada, Ottawa
work by other artists
Camille Pissarro, Les Carrières du Chou, Pontoise, 1882.
work by other artists
Georges Manzana-Pissarro, Impressionist Picnic (Guillaumin, Pissarro, Gauguin, Cézanne, Madame Cézanne and Manzana-Pissarro). Pen and ink on paper, inscribed "Souvenir de l'été 1881."
site photography
Tour Sommati (Saumati), c 1900
Toits de l'Estaque, 1878–82 (1057)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
postcard
Postcard view of motif identified by Alain Mothe, Osny, La Viosne à Immarmonth.
site photography
John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Rewald-Marschutz
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
Le Château Noir, 1887–90 (1228)
site photography
Cortaillod
postcard
Vintage postcard. The site was identified by Raymond Hurtu
postcard
Vintage postcard. The site was identified by Raymond Hurtu
site photography
Photo of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Pavel Machotka
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome.
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
postcard
Postcard view of the Pont des Trois Sautets.
site photography
Photograph of the motif, a copy of which was found in Cézanne's Lauves studio. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
possibly Emile Bernard, 1904
reproduction
Title page of Ambroise Vollard, Paul Cézanne, 1914
Madame Cezanne cousant, c.1880 (1735)
work by other artists
Eugène Delacroix, Autoportrait, dit au gilet vert, Musée du Louvre, Paris.
Musée du Louvre
historical photography
Head of a life-size dummy from Cézanne's studio. Private collection, Aix-en-Provence. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
L'homme à la pipe, 1892–96 (1767)
work by other artists
Peter Paul Rubens, L'apothéose de Henri IV et la proclamation de la régence de Marie de Médicis, le 14 mai 1610 (The Death of Henry IV and the Proclamation of the Regency) from the Medici cycle, Musée du Louvre, Paris.
Erich Lessing; Musée du Louvre
work by other artists
Eugène Delacroix, L'éducation d'Achille, Musée du Louvre, Paris.
RMN
work by other artists
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this.
Bibliothèque nationale de France
work by other artists
Eugène Delacroix, Hamlet contemplant le crâne de Yorick (Hamlet contemplating the skull of Yorik), lithographe, Bibliothèque nationale de France, Paris. Dr. Gachet owned a print of this.
Bibliothèque nationale de France
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Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplemental Material." The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/resources/supplemental_images.php (accessed on February 23, 2019).