Supplemental Material

Many Catalogue entries include additional material such as studies after other artists, site and historical photographs and vintage postcards.These items are presented here and can be navigated by the following types:

Works by other artists: Cezanne was inspired by artists who preceded him and copied works by other painters such as Eugène Delacroix and Peter Paul Rubens, as well as by sculptors such as Pierre Puget and Jean-Baptiste Pigalle; he painted alongside his colleagues such as Camille Pissarro and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

Site Photography: Lionello Venturi began to photograph the area around Aix in the early 1930s and published a group of them in his 1936 catalogue raisonné. At about the same time John Rewald and Leo Marchutz began a serious study of Cezanne’s site motifs. As the three men roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cezanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. Venturi's 200 or so photographs are held in the Archivio Venturi in Rome.

Contemporary views of Cezanne’s sites have also been photographed in color, notably by Pavel Machotka and by colleagues; many have been published in books and on the website of the Société Paul Cezanne.

Historical Photography: Images of the artist, his family, friends and colleagues are included in this category, as well as interiors that display Cezanne's work.

Postcards: The study of Cezanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu).

 

results 661 to 720 of 743
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work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
Femme debout se coiffant, c.1887–90 (3010-30b)
Femme debout se coiffant, c.1887–90 (3010-30b)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
La Toilette, 1895–1900 (3018-x4a)
La Toilette, 1895–1900 (3018-x4a)
work by other artists
Lamy after Eugène Delacroix, Le lever, engraving (L'Artiste: journal de la littérature et des beaux-arts, 1851 (SER5,T6), after p. 96).
gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Théodore Géricault, Deux chevaux de halage, vus de dos, et un troisième indiqué à mi-corps, Musée du Louvre, Paris.
RMN
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Etude pour La toilette, 1879–82 (3007-41b (right))
Etude pour La toilette, 1879–82 (3007-41b (right))
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, 1885–90 (665)
La Toilette, 1885–90 (665)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, c.1900 (695)
La Toilette, c.1900 (695)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
Femme debout se coiffant, c.1887–90 (3010-30b)
Femme debout se coiffant, c.1887–90 (3010-30b)
work by other artists
Eugène Delacroix, Le lever, 1850, oil on canvas. Maxime Citroen Collection, Paris
La Toilette, 1895–1900 (3018-x4a)
La Toilette, 1895–1900 (3018-x4a)
work by other artists
Eugène Delacroix, Etudes de jeunes filles luttant, et personnage fouettant un enfant, Musée du Louvre, Paris.
RMN
work by other artists
2nd century AD, Bacchus, marble, Musée du Louvre, Paris.
Jastrow
D'après l'antique: Bacchus, 1882–85 (3002-01a)
D'après l'antique: Bacchus, 1882–85 (3002-01a)
work by other artists
Claude-Joseph Vernet, Le matin: les baigneuses (Women Bathers), oil on canvas, Musée du Louvre, Paris.
Michel Urtado; RMN-Grand Palais (Musée du Louvre)
work by other artists
Bartolomé Esteban Murillo. Le jeune Mendiant, Musée du Louvre, Paris.
Angèle Dequier; RMN-Grand Palais (Musée du Louvre)
D'après Murillo: Le jeune mendiant, c.1882–85 (3003-05a)
D'après Murillo: Le jeune mendiant, c.1882–85 (3003-05a)
work by other artists
Charles-Antoine Coysevox, Portrait présumé de Charles Le Brun, premier peintre du roi de France Louis XIV (1643-1715) (Presumed Portrait of Charles Le Brun), marble, Musée du Louvre, Louvre-Lens.
René-Gabriel Ojéda; RMN-Grand Palais (Musée du Louvre)
work by other artists
Antonio Pisanello, Mulet harnaché, de profil vers la gauche, Musée du Louvre, Paris.
Michèle Bellot; RMN-Grand Palais
work by other artists
Giovanni Antonio Boltraffio, Profil d'enfant tourné vers la gauche, Musée du Louvre, Paris.
RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Luca Signorelli, Deux hommes nus luttant, et deux femmes nues luttant (Two Women and Two Men), black chalk, Musée du Louvre, Paris.
Jean-Gilles Berizzi; RMN-Grand Palais
work by other artists
Peter Paul Rubens, L'Échange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615 (Exchange of the Two Princesses) from the Medici cycle, Musée du Louvre, Paris.
René-Gabriel Ojéda / Thierry Le Mage; RMN-Grand Palais
work by other artists
Luca Signorelli, Homme nu, debout, de dos, portant sur ses épaules un corps inerte (The Living Carrying the Dead), graphite, brown wash, and watercolor heightened with white on paper, Musée du Louvre, Paris.
Michèle Bellot; RMN-Grand Palais (Musée du Louvre)
work by other artists
Paul Gauguin, Chou Quarries at Pontoise II, 1882. National Gallery of Canada, Ottawa
work by other artists
Camille Pissarro, Les Carrières du Chou, Pontoise, 1882.
work by other artists
Georges Manzana-Pissarro, Impressionist Picnic (Guillaumin, Pissarro, Gauguin, Cézanne, Madame Cézanne and Manzana-Pissarro). Pen and ink on paper, inscribed "Souvenir de l'été 1881."
work by other artists
Bartolomé Esteban Murillo. Le jeune Mendiant, Musée du Louvre, Paris.
Angèle Dequier; RMN-Grand Palais (Musée du Louvre)
D'après Murillo: Le jeune mendiant, 1878–80 (3003-x2a-TA)
D'après Murillo: Le jeune mendiant, 1878–80 (3003-x2a-TA)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneurs, c.1890 (possibly later) (3018-03a)
Baigneurs, c.1890 (possibly later) (3018-03a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur descendant dans l'eau, c.1886–89 (3003-31a)
Baigneur descendant dans l'eau, c.1886–89 (3003-31a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Deux études de baigneurs, 1877–80 (3003-41a)
Deux études de baigneurs, 1877–80 (3003-41a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur et annotations diverses, 1883–86 (3007-01a)
Baigneur et annotations diverses, 1883–86 (3007-01a)
work by other artists
After Alonso Cano, Le Christ mort, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [171].
Baigneur descendant dans l'eau, after 1882 (3010-00)
Baigneur descendant dans l'eau, after 1882 (3010-00)
work by other artists
Roman, c. 20 BC, Statue funéraire et honorifique de Marcellus formerly known as Germanicus, marble, Musée du Louvre, Paris.
Hervé Lewandowski; 1996 RMN
work by other artists
Charles-Antoine Coysevox, Berger flûteur (Faun Playing a Flute), marble, Musée du Louvre, Paris.
Philippe Fuzeau; Musée du Louvre
work by other artists
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
D'après Puget: Atlas, 1886–89 (3002-15a)
D'après Puget: Atlas, 1886–89 (3002-15a)
work by other artists
Pierre Puget, Atlas, one of two monumental figures flanking the door of the Hôtel de Ville at Toulon, France. Cezanne copied from a plaster cast exhibited in the Puget Room of the Louvre until 1886, then moved to the Musée de Sculpture comparée, Palais de Chaillot, Trocadero.
D'après Puget: Atlas, 1886–89 (2156)
D'après Puget: Atlas, 1886–89 (2156)
work by other artists
Verso of paravent (FWN560) that is now separated from the front. This screen is now held in the Musée Granet, Aix-en-Provence and combines the left (R2/V1) and right (R3/V2) halves seen here.
work by other artists
Front and back views of the plaster cast which belonged to Cezanne and which is conserved in his Lauves studio. Image from Chappuis, 1973, p. 228.
L'Amour en plâtre, 1900–04 (2180)
L'Amour en plâtre, 1900–04 (2180)
work by other artists
Front and back views of the plaster cast which belonged to Cezanne and which is conserved in his Lauves studio. Image from Chappuis, 1973, p. 228.
L'Amour en plâtre, 1900–04 (2182)
L'Amour en plâtre, 1900–04 (2182)
work by other artists
Gian Battista Lodi, Une ville incendiée (formerly attributed to Giulio Pippi, known as Giulio Romano). Cabinet des Dessins, Musée du Louvre (inv. 3532 recto).
H. Lewandowski; RMN-Grand Palais
work by other artists
After Juan de Pareja, The Calling of Saint Matthew, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [177].
Esquisse d'un paysage; têtes d'après Pareja, landscape, 1883–86; heads, 1869–72 (2310-TA)
Esquisse d'un paysage; têtes d'après Pareja, landscape, 1883–86; heads, 1869–72 (2310-TA)
work by other artists
Marcantonio Raimondi, Trois figures d'hommes tirées du carton de la Guerre de Pise [La bataille de Cascina] de Michel-Ange, engraving, Bibliothèque nationale de France.
Source gallica.bnf.fr / Bibliothèque nationale de France
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
D'après B. da Maiano: Filippo Strozzi, 1882 or later (3002-23b)
D'après B. da Maiano: Filippo Strozzi, 1882 or later (3002-23b)
work by other artists
Benedetto da Maiano, Filippo Strozzi, marble, Musée du Louvre, Paris.
Adrien Didierjean; RMN-Grand Palais (Musée du Louvre)
work by other artists
Peter Paul Rubens, L'Échange des deux princesses de France et d'Espagne sur la Bidassoa à Hendaye, le 9 novembre 1615 (Exchange of the Two Princesses) from the Medici cycle, Musée du Louvre, Paris.
René-Gabriel Ojéda / Thierry Le Mage; RMN-Grand Palais
work by other artists
Peter Paul Rubens, Le Débarquement de la reine à Marseille (The Disembarkation at Marseilles) from the Medici cycle, Musée du Louvre, Paris.
A. Dequier - M. Bard; Musée du Louvre
Etudes: têtes et copies, 1878–80 (2289-TA)
Etudes: têtes et copies, 1878–80 (2289-TA)
work by other artists
After Pedro de Moya, Joseph Sold by his Brothers, wood engraving printed in Charles Blanc, Histoire des peintres de toutes les écoles: Ecole espagnole, Paris: Veuve J. Renouard, 1869, p. [181].
Feuille d'études, 1880–81 (2299)
Feuille d'études, 1880–81 (2299)
work by other artists
Pierre Puget, Hercules Resting, marble, Musee du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
work by other artists
Pierre Puget, Hercule au repos dit aussi Hercule gaulois, marble, Musée du Louvre, Paris.
D'après Puget: Hercule au repos, 1887–90 (3005-40a)
D'après Puget: Hercule au repos, 1887–90 (3005-40a)
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Roman Imperial Periode (1st - 2nd century AD) after a Greek original, 3rd -2nd century BC, Aphrodite accroupie dit Vénus de Vienne, marble, Musée du Louvre, Paris.
Jastrow
work by other artists
Pierre Puget, Milon de Crotone, 1683, marble, Musée du Louvre, Paris.
RMN-Grand Palais (musée du Louvre) / Christian Jean
work by other artists
Guillaume Coustou, Le père Pierre-François d'Arères de la Tour, terra-cotta, Musée du Louvre, Paris.
work by other artists
Portrait du Dr. Gachet par lui-même, 1874, etching, second state, Bibliothèque nationale de France, Richelieu - Estampes et photographie, DC-614 (1)-FOL (cropped)
historical photography
Cézanne seated in front of this painting in his Lauves studio, 1904.
Emile Bernard
Grandes baigneuses, 1895–1906 (980)
Grandes baigneuses, 1895–1906 (980)
historical photography
Cézanne fils standing in front of Nature morte, 1892–94 and Bosquet au Jas de Bouffan, c.1871; he sold the still life in order to pay for his daughter Aline's wedding.
Nature morte, 1892–94 (842)
Nature morte, 1892–94 (842)
historical photography
Cézanne fils standing in front of Nature morte, 1892–94 and Bosquet au Jas de Bouffan, c.1871; he sold the still life in order to pay for his daughter Aline's wedding.
historical photography
La Montagne Sainte-Victoire, 1888–90 (258)
results 661 to 720 of 743
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Supplemental Material." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/resources/supplemental_images.php (accessed on March 28, 2024).