Supplementary Images

Cézanne was inspired by artists who preceded him and copied works by painters such as El Greco, Rembrandt, and Eugène Delacroix; he painted alongside his colleagues such as Camille Pissarro, Armand Guillaumin and Auguste Renoir; and he also copied from photographs or illustrations from contemporary journals. Images of these related works are being added to the catalogue on a regular basis.

John Rewald and Leo Marchutz pioneered the early study of Cézanne’s site motifs in the 1930s. As they roamed the countryside of Aix, their photographs became vital documents that linked the artist to the present. Rewald continued photographing Cézanne sites in the North and around Aix for nearly six decades. These photographs are now housed in the Photograph Archive at the National Gallery of Art in Washington, D.C. – they will be scanned and uploaded onto the website in the near future.

The study of Cézanne’s motifs continues today. Vintage postcards are being collected and published along with the work that the site inspired (many of the postcards are included here as supplementary images, courtesy of Alain Mothe and Raymond Hurtu). And contemporary views of Cézanne’s sites continue to be photographed in color by Pavel Machotka and others. They, too, will be added to the catalogue as soon as they are made available.

In the near future, Cézanne’s watercolors and drawings will be incorporated into the online catalogue, creating a fully integrated inventory of Cézanne’s oeuvre.

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supplementary image works by Cézanne in the catalogue
work by Cézanne
La Partie de campagne, c.1875 (000)
site photography
from Société article, Hurtu
Le vieux Château, 1890 (000-TA)
site photography
Bourg avec église, c.1890 (000)
site photography
Cortaillod
Au bord de l'eau, c.1890 (000-TA)
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
historical photography
Photo of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, 1934; Sabine Rewald
site photography
Photograph of the motif, a copy of which was found in Cézanne's Lauves studio. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
possibly Emile Bernard, 1904
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1934; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Head of a life-size dummy from Cézanne's studio. Private collection, Aix-en-Provence. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
L'Homme à la pipe, 1892–96 (000)
site photography
Photograph of the motif. Courtesy John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
Pavel Machotka
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
Le Château Noir, 1887–90 (000)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
historical photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
work by other artists
Pierre Puget, Milo of Croton, Musée du Louvre
work by other artists
Charles-Antoine Coysevox, Faun Playing a Flute, Musée du Louvre
work by other artists
Marius Reinaud, Intérieur du Colisée, 1814. Etching after a drawing by Granet. Cabinet des Estampes, Bibliothèque Nationale.
site photography
Motif for no. 36. John Rewald Archive, Department of Image Collections, National Gallery of Art, Washington, D.C.
Denis Coutagne
postcard
Courtesy Alain Mothe
Le Bac à Bonnières, 1866 summer (42)
postcard
Postcard view of the telegraph tower on Montmartre before it was destroyed by fire.
Paysage, c.1867 (46)
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
La Tranchée, 1867–68 (48)
postcard
Courtesy Alain Mothe
site photography
The rue des Saules. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the motif. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
The allée of chestnut trees as the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washignton, D.C.
John Rewald, circa 1935; Sabine Rewald
Les Marronniers et le bassin du Jas de Bouffan, 1868–70 (possibly later) (55)
historical photography
Cézanne fils standing in front of Nature morte, 1892–94 and Bosquet au Jas de Bouffan, c.1871; he sold the still life in order to pay for his daughter Aline's wedding
work by other artists
Camille Pissarro, Louveciennes, 1871. Oil on canvas, 90 x 116.5 cm. Private Collection
postcard
Vintage postcard view of the motif
Courtesy Alain Mothe
postcard
Vintage postcard view of the motif.
Courtesy Alain Mothe
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
work by other artists
Pissarro, Rue de la Citadelle, Pontoise, 1873 (Pissarro-Snollaerts, no. 323)
work by Cézanne
Cézanne made an etching after this painting in 1873. Paysage à Auvers, 37.5 x 27.8 cm (sheet); 13.5 x 11 cm (plate)
work by other artists
Vincent van Gogh, Maisons à Auvers, June 1890. Toledo Museum of Art (Gift of Edward Drummond Libbey)
postcard
Postcard view of the house of Père Lacroix
Courtesy Alain Mothe
work by other artists
Camille Pissarro, Near Sydenham Hill, 1871, Oil on canvas 17 1/8 x 21 1/16 in. (43.5 x 53.5 cm)
Kimbell Art Museum
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph of the houses in Auvers seen in nos. 79 and 80. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
work by other artists
Georges Manzana Pissarro, Cézanne à la maison du pendu
postcard
Postcard view of the motif. The house still exists at 39, rue des Couteaux in Pontoise
Courtesy Alain Mothe
work by Cézanne
Paul Cézanne, Le Manoir de Jas de Bouffan, c. 1870. Watercolor (RW22)
Courtesy F. Chédeville
site photography
The Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
site photography
Photograph by Lionello Venturi, 1933–35 (Courtesy Archivio di Lionello Venturi, Department of Art History and Performance, Sapienza University, Rome)
site photography
The pool and orangery of the Jas de Bouffan. John Rewald Archive, Department of Image Collections, National Gallery of Art Library, Washington, D.C.
John Rewald, circa 1935; Sabine Rewald
work by Cézanne
Paul Cézanne, La Baie de l'Estaque, 1878–82. Watercolor (RW117).
Courtesy F. Chédeville
work by other artists
Camille Pissarro, La Rue de l'Hermitage, au Fond de l'Hermitage, 1875 (Pissarro-Snollaerts, no. 408)
results 1 to 50 of 305
Page citation: Feilchenfeldt, Walter, Jayne Warman, and David Nash. "Supplementary Images." The Paintings of Paul Cézanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/resources/supplementary.php (accessed July 18, 2018).
Please note that the information on this and all pages is periodically reviewed and subject to change.