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The Paintings, Watercolors and Drawings of Paul Cezanne
An Online Catalogue Raisonné under the Direction of Société Paul Cezanne
(Formerly directed by Walter Feilchenfeldt, Jayne Warman and David Nash)
Catalogue entry
FWN 330
Sous-bois provençal
1900–04
Alternate titles: Le Matin en Provence; Morning in Provence; Paysage
Rewald (885): 1900–04; Venturi revised: c.1900; Venturi (791): 1900–1906
Oil on canvas
31 1/4 x 24 1/2 in. (79.4 x 62.3 cm)
Vollard A stockbook: no. 3443, peinture; au premier plan un vert très [tendu?], au second une esquisse d'un grand arbre, 81 x 60 cm (?) (100 frs)
Provenance
Ambroise Vollard, Paris
Baron Denys Cochin, Paris (Apr. 4, 1900)
Auguste Pellerin, Paris
Galerie Bernheim-Jeune, Paris (December 24, 1910)
Ambroise Vollard, Paris (December 30, 1910)
Galerie E. Bignou, Paris
Albright-Knox Art Gallery, Buffalo (1936)
Exhibition History
1936g New York
Bignou Gallery, New York, Paul Cézanne, November–December 1936, no. 30, as Le Matin en Provence, lent by Vollard.1937 Detroit
Detroit Institute of Arts, Detroit, Cézanne, January 5, 1937.1937 San Francisco
San Francisco Museum of Art, San Francisco, Paul Cézanne: Exhibition of Paintings, Water-colors, Drawings and Prints, September 1–October 4, 1937, no. 37, ill. lent by Albright Art Gallery.1947b New York
Wildenstein Galleries, New York, Cézanne, March 27–April 26, 1947, no. 65, lent by Albright Art Gallery.1952 Montreal
Montreal Museum of Fine Arts, Montreal, Six Centuries of Landscape, March 7–April 13, 1952, no. 57, ill.1954 Andover
Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Variations: Three Centuries of Painting, January 8–February 15, 1954, no. 9.1957 Milwaukee
Milwaukee Art Institute, Milwaukee, Inaugural Exhibition, September 12–October 20, 1957, no. 58.1959e New York
Wildenstein Galleries, New York, Loan Exhibition: Cézanne, November 5–December 5, 1959, no. 53, ill. lent by Albright Art Gallery.1960 Houston
The Museum of Fine Arts, Houston, From Gauguin to Gorky, October 20–December 11, 1960, no. 10, ill.1963b Utica and traveling
Munson-Williams-Proctor Arts Institute, Utica, New York, Masters of Landscape: East and West, September 15–October 13, 1963, no. 51, ill. Traveled to: Memorial Art Gallery, Rochester, New York, November 1–December 1, 1963.1968 Washington, D.C.
National Gallery of Art, Washington, D.C., Paintings from the Albright-Knox Art Gallery, May 19–July 21, 1968, no number, ill., p. 15.1977–78 New York and traveling
The Museum of Modern Art, New York and Reunion des Musees Nationaux, Paris, France, Cézanne: The Late Work, October 7, 1977–January 3, 1978, no. 42, pl. 73. Traveled to: Museum of Fine Arts, Houston, January 26–March 19, 1978; Grand Palais, Paris, Cezanne: Les dernières années (1895–1906), April 20–July 23, 1978 (see Paris 1978a for a separate listing because the catalogue numbers are different from the two American venues).1990 Aix-en-Provence
Musée Granet, Aix-en-Provence, France, Sainte-Victoire: Cézanne, June 16–September 2, 1990, no. 35a.1999–2000 Riehen/Basel
Fondation Beyeler, Riehen/Basel, Switzerland, Cézanne und die Moderne, October 10, 1999–January 9, 2000, no. 39, ill., p. 48, as Sous-bois provençal.2001–02 Utica and traveling
Munson-Williams-Proctor Art Institute, Utica, New York, Circa 1900: From the Genteel Tradition to the Jazz Age, March 3–April 15, 2001, no. 5, ill., p. 65, as Morning in Provence, shown in Buffalo, Ithica, Albany, Syracuse and Rochester. Traveled to: Albright-Knox Art Gallery, Buffalo, New York, May 6–August 19, 2001; Herbert F. Johnson Museum of Art, Cornell University, Ithica, New York, September 8–November 25, 2001; Albany Institute of History and Art, Albany, New York, December 14, 2001–March 3, 2002; Everson Museum of Art, Syracuse, New York, March 22–May 26, 2002; Memorial Art Gallery of the University of Rochester, Rochester, New York, June 15–September 15, 2002.Published References
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 791, ill. vol. II, as Sous-bois provençal.Ritchie 1949
Ritchie, Andrew Carnduff. Paintings and Sculpture in the Permanent Collection. Buffalo: Buffalo Fine Arts Academy, 1949, p. 69, no. 31, ill.Sewall 1953
Sewall, John Ives. A History of Western Art. New York: Holt, 1953, fig. 19.Reff 1960b
Reff, Theodore. "A New Cézanne Exhibition." The Burlington Magazine 102, no. 684 (March 1960), p. 117.Galloway 1962
Galloway, David D. Pioneering in Art Collecting. Buffalo: Albright-Knox Art Gallery, 1962, p. 28, ill.Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 885, ill. vol. 2, as Sous-bois provençal.Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 70, ill., as Paysage.Record last updated October 24, 2023. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Sous-bois provençal, 1900–04 (FWN 330)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=859 (accessed on May 4, 2024).
