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Catalogue entry

FWN 852
Sucrier, poires et tapis
1893–94
Alternate titles: Birnen und Porzellan; Früchtestilleben; Les poires et le sucrier blanc; Nature morte; Nature morte, sucrier et poires; Poires au sucrler; Stilleben mit Birnen; Stilleben mit Birnen, Zuckerdose und Tapisserie; Stilleben mit Marmeladedose; Sucrier et poires; Sugar Bowl, Pears and Tablecloth (Sucrier, poires et tapis); Sugarpot, Pears and Tablecloth; The White Sugar Bowl
Rewald (771): 1893–94; Venturi revised: 1893–95; Venturi (624): 1890–94; Rivière: 1885; Cooper: c.1894
Oil on canvas
20 1/16 x 24 3/8 in. (50.9 x 62 cm)
Vollard A stockbook: no. 3533, nature morte à l'huile. sur une table en bois blanc des fruits, un morceau d'étoffe et un sucrier, 50 x 62 cm (300 frs)
Vollard X stockbook: no. 5190, nature morte
Vollard archives: photo no. 78, Annotated by Cezanne's son: 1880
Pola Museum of Art, Kanagawa

Keywords

Provenance
Ambroise Vollard, Paris
Prince de Wagram (Alexandre Berthier), Paris (Mar. 19, 1909)
Ambroise Vollard, Paris
Gottlieb Friedrich Reber, Lausanne (July 8, 1912)
Paul Rosenberg, Paris and New York
Henry McIlhenny, Philadelphia;
Christie's, New York, Nov. 15, 1983, no. 54, ill.
Private collection, Boston
Pola Art Foundation, Kanagawa (1996–2002)
Pola Museum of Art, Kanagawa (2002)
Exhibition History
1912 St. Petersburg
Institut français, Mansion of Yusupova (42 Liteiny Avenue), St. Petersburg, Russian Federation, [Exposition centennale de l'art français, 1812-1912], opening January 15, no. 588m, as Sucrier et poires, lent by Vollard.
1912b Paris
Manzi, Joyant & Cie, l'Hôtel de la revue "Les Arts," Paris, Exposition d'art moderne, June 6–July 6, 1912, no number, [lent by Vollard].
1912 Barmen
Kunstverein, Ruhmeshalle, Barmen, Germany, Sammlung Reber: Ausstellung alter und neuerer Meister, Autumn 1912, no. 20.
1913 Darmstadt
Mathildenhöhe, Darmstadt, Germany, Sammlung G.F. Reber, mid-May–mid-June, 1913, no. 12, as Stilleben mit Birnen.
1913a Berlin
Paul Cassirer, Berlin, XV. Jahrgang, 1912–1913, Dritte Ausstellung, Sammlung Reber, Beginning January - January 20, 1913, no. 20, as Stilleben mit Birnen.
1927d Berlin
Galerie Matthiesen, Berlin, Das Stilleben in der Deutschen und Französischen Malerein von 1850 bis zur Gegenwart, mid-February–mid-March 1927, no. 88, ill., p. 85, as Birnen und Porzellan, lent by Reber.
1927 Frankfurt am Main
Kunstverein, Frankfurt, Germany, Ausstellung Französischer Meister des XIX Jahrhunderts aus Frankfurter Privatbesitz ergänzt durch sechs Gemälde von Cézanne als Leihgabe der Sammlung G.F. Reber, Lugano, October 16–November 16, 1927, no. 6, as Früchtestilleben.
1941b New York
The Metropolitan Museum of Art, New York, French Painting from David to Toulouse-Lautrec, February 6–March 26, 1941, no. 7.
1947 Philadelphia
Philadelphia Museum of Art, Philadelphia, Masterpieces of Philadelphia Private Collections, May 20–September 15, 1947, no. 37.
1949 Philadelphia
Philadelphia Museum of Art, Philadelphia, The Henry P. McIlhenny Collection, 1949.
1962 San Francisco
California Palace of the Legion of Honor, San Francisco, The Henry P. McIlhenny Collection: Paintings, Drawings and Sculpture, June 15–July 31, 1962, no. 2, ill., and on cover, as Sucrier, poires et tapis, 1890-94.
1977 Allentown
Allentown Art Museum, Allentown, Pennsylvania, French Masterpieces of the 19th Century from the Henry P. McIlhenny Collection, May 1–September 18, 1977, no number.
1983 Philadelphia
Philadelphia Museum of Art, Philadelphia, Cézanne in Philadelphia Collections, July 19–August 21, 1983, no. 16, ill. lent by McIlhenny, Philadelphia.
1997 Kasama
Kasama Nichido Museum of Art, Kasama, Ibaraki, Japan, Cézanne, October 4–November 30, 1997, no. 25, ill.
1999–2000 Yokohama and traveling
Yokohama Museum of Art, Yokohama, Japan, Cézanne and Japan, September 11–December 19, 1999, no. 89, ill., as Sucrier, poires et tapis, lent by Private collection, Japan. Traveled to: Aichi Prefectural Museum of Art, Nagoya, Japan, January 5–March 12, 2000.
2001–02 Washington, D.C. and traveling
Phillips Collection, Washington, D.C., Impressionist Still Life, September 22, 2001–January 13, 2002, pp. 176, 178, pl. 81, as Sugarpot, Pears and Tablecloth, lent by POLA Art Foundation, Japan, shown in Washington only. Traveled to: Museum of Fine Arts, Boston, February 17–June 9, 2002.
2007 Tokyo
Bridgestone Museum of Art, Tokyo, Cézanne, Four Attractions: Figure, Still Life, Landscape, Bather, October 6–November 25, 2007, no. 4.
2015 Kanagawa
Pola Museum of Art, Kanagawa, Japan, Cézanne, Pioneer of Modern Art, April 4–September 27, 2015, no. 43, ill. lent by Pola Museum of Art.
2023 London
National Gallery, London, After Impressionism: Inventing Modern Art, March 25–August 13, 2023, no. 6, ill., as Sugar Bowl, Pears and Tablecloth (Sucrier, poires et tapis).
Published References
Faure 1911
Faure, Élie. "Paul Cézanne." L'Art décoratif 13, no. 157 (October 5, 1911), p. 117, ill.
Bluemner 1913
Bluemner, Oscar. "Audiator et altera pars: Some Plain Sense on the Modern Art Movement." Camera Work (June 1913), pl. II.
Waldmann 1913a
Waldmann, Emil. "Die Sammlung Reber." Kunst und Künstler 11, no. 9 (1913), p. 448.
Denis 1914
Denis, Maurice. "Cézanne: I [and] II." Kunst und Künstler 12, no. 4 and no. 5 (1914), ill p. 214.
Vollard 1914
Vollard, Ambroise. Paul Cézanne. Paris: Vollard, 1914, pl. 48.
Meier-Graefe 1918a
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 127 Tonätzungen und fünfzehn Heliogravüren. Munich: R. Piper, 1918, ill. p. 172.
Coquiot 1919
Coquiot, Gustave. Paul Cézanne. Paris: Ollendorf, 1919, ill. p. 128 (opposite), as Les poires et le sucrier blanc.
Meier-Graefe 1922
Meier-Graefe, Julius. Cézanne und sein Kreis: ein Beitrag zur Entwicklungsgeschichte: mit 171 Tonätzungen und einem Lichtdruck. Munich: R. Piper, 1922, ill. p. 208.
Klingsor 1923
Klingsor, Tristan L. Cézanne. Paris: Rieder, 1923, pl. 14.
Rivière 1923
Rivière, Georges. Le Maître Paul Cézanne. Paris: Librairie Floury, 1923, p. 213, listed, ill. p. 173, as Nature morte.
Faure 1923a
Faure, Élie. P. Cézanne. Paris, 1923, pl. 28, as Poires au sucrler.
Larguier 1925
Larguier, Léo. Le Dimanche avec Paul Cézanne. Paris: L'Edition, 1925, p. 49, ill.
Pfister 1927
Pfister, Kurt. Cézanne: Gestalt, Werk, Mythos. Potsdam: Gustav Kiepenheuer Verlag, 1927, fig. 80, as Stilleben mit Marmeladedose, c. 1885 (Photo: Thannhauser).
Meier-Graefe 1927a
Meier-Graefe, Julius. Cézanne. translated by J. Holroyd-Reece. London: Ernest Benn, 1927, pl. LXXIII.
Gasquet 1928
Gasquet, Joachim. Cézanne: 24 phototypies. Paris: Librairie de France, [1928], [pl. 24], as Nature morte.
Venturi 1936b
Venturi, Lionello. Cézanne: Son Art, Son Oeuvre. Paris: Editions Paul Rosenberg, 1936, no. 624, ill. vol. II, as Sucrier, poires et tapis.
Wehle 1941
Wehle, Harry B. "French Painting from David to Toulouse-Lautrec." Bulletin of the Metropolitan Museum of Art 36, no. 2 (February 1941), p. 34, as The White Sugar Bowl.
Dorival 1948
Dorival, Bernard. Cézanne. Paris: Pierre Tisné, 1948, pl. 104, listed p. 162.
Canaday 1959
Canaday, John. Mainstreams of Modern Art. New York: Holt, 1959, p. 345, fig. 417, frontispiece, detail in color.
Ikegami 1969
Ikegami, Chuji. Cézanne. Tokyo: Shueisha, 1969, pl. 50.
Barskaya 1983a
Barskaya, Anna and Evgenia Georgievskaia. Paul Cézanne: Bilder aus Museen der Sowjetunion. Leningrad: Aurora Art Publishers, 1983, ill. p. 140.
Von der Heydt Museum 1984
Von der Heydt Museum. Der westdeutsche Impuls 1900–1914, Kunst und Umweltgestaltung im Industriegebiet, Stadtenwicklung, Sammlungen, Austellungen. Günter Aust, ed.. Wuppertal: Von der Heydt Museum, 1984. Exhibition catalogue, p. 149, ill., as Stilleben mit Birnen, Zuckerdose und Tapisserie, ex-Reber collection.
Rewald 1996
Rewald, John. The Paintings of Paul Cézanne, A Catalogue Raisonné, 2 vols. In Collaboration with Walter Feilchenfeldt and Jayne Warman. New York: Harry N. Abrams, 1996, no. 771, ill. vol. 2, as Sucrier, poires et tapis.
Kropmanns and Fleckner 2001
Kropmanns, Peter, and Uwe Fleckner. "Von kontinentaler Bedeutung: Gottlieb Friedrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler: französische Kunst in deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, edited by Andrea Pophanken and Felix Billeter. Berlin: Akademie Verlag, 2001, listed p. 388.
Pola Museum of Art 2002
Masterpieces of the Pola Museum of Art Paintings. Kanagawa: Pola Museum of Art, Pola Art Foundation, 2002, no. 28.
Echte and Feilchenfeldt 2016e
Echte, Bernhard and Feilchenfeldt, Walter. "Sammlung Gottlieb Friedrich Reber, Barmen: Anfang Januar bis 20. Januar 1913." In Kunstsalon Cassirer: Die Ausstellungen 1912-1914 vol. 6, "Eine neue Klassik". Wädenswil: Nimbus, 2016, p. 151, ill.
Dauberville 2020
Dauberville, Guy-Patrice, and Floriane Dauberville. Paul Cezanne chez Bernheim-Jeune. Paris: Editions G-P.F. Dauberville & Archives Bernheim-Jeune, 2020, no. 27, ill., as Nature morte, sucrier et poires.
Clark 2022
Clark, T.J. If These Apples Should Fall, Cézanne and the Present. London and New York: Thames & Hudson, 2022, pl. 45.
Record last updated October 4, 2021. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Société Paul Cezanne. "Sucrier, poires et tapis, 1893–94 (FWN 852)." In The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. www.cezannecatalogue.com/catalogue/entry.php?id=748 (accessed on May 16, 2024).